Who Owns Crimea?

A Polish vehicle traverses the roads of Ukraine. On board, people are evacuated following the Russian invasion. This van becomes a fragile and transitory refuge, a zone of confidences and confessions of exiles who have only one objective, to escape the war.

Metro is a factory of rush for the passengers. Thousands, who do not hurry to break the circulation schedule, work to create the rhythm. What does the escalator controller think of, sitting inside her booth during the rush hour? How do the cashiers see us through the window of their own, separate world, decorated with flowerpots? What a metro worker in the small room with found items loses?

The film explores unobvious connections between the cultural and political phenomena of Italy and Ukraine. Suddenly, fans of Italian futurism and fascism appear among the Ukrainian far-right community. At the same time, conservative ideas are spreading in Italy and Europe. There are its own heroes, villains and victims including Ukrainian soldier Vitalii Markiv, far-right publishing house Iron Dad, former Italian Deputy Prime Minister Matteo Salvini, a group of pro-Russian recruits for the war in Donbas, and others.