Siddharta

"Mythologies" brings together ten dancers from the Ballet de l'Opéra national de Bordeaux and ten dancers from Ballet Preljocaj. With them, the choreographer explores contemporary rituals and the founding myths that shape our collective imagination. With music composed by Thomas Bangalter, ex-Daft Punk, and performed by the Orchestre de chambre de Paris under the direction of Romain Dumas, this powerful, evocative work explores what lurks in the recesses of our existence, through our ideals and beliefs, bringing ancient mythologies into dialogue with those of our own time.

Polina is a young dancer from a modest family. After years of ballet academy, she is accepted by the Bolshoi; still, she decides to try and audition of a modern dance company in France. She makes it, but her journey will not end there...

In the chaos of post-Soviet Russia, rising KGB officer Vladimir Putin joins forces with master manipulator Vadim Baranov to reshape life behind the Iron Curtain, using violence and deception to change the world forever.

Mira is an American movie star disillusioned by her career and a recent breakup, who comes to France to star as “Irma Vep” in a remake of the French silent film classic, “Les Vampires.” Set against the backdrop of a lurid crime thriller, Mira struggles as the distinctions between herself and the character she plays begin to blur and merge.

To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.

"Angelin Preljocaj, Topologie de l'invisible" offers 3 films corresponding to 3 choreographies. 1.- Annonciation (2003), directed by Angelin Preljocaj. Annonciation dances the encounter between the Angel Gabriel and Mary, when the angel announces that she is God’s chosen one – an essential scene of conception, of the birth of faith and culture. 2.- Les Raboteurs (1988), directed by Cyril Collard. A contemporary couple in an empty room in a Parisian. They talk of love, vision, points of view and illusion. Is what these three dancers on the wooden have frozen in space with their choreographed movements and the positions of the three workers in Gustave Caillebotte’s painting The Floor Scrapers? 3.- Un trait d'union (1992), directed by Angelin Preljocaj. Adaptation of La Chambre by Jean-Paul Sartre. A story of a woman who has married and her second husband has turned insane. Her whole surrounding urges her to let the man be transported into an asylum, yet she refuses.

This film retraces the last minutes of intimacy that preceded, on November 26, 1974, Simone Veil's entry into the chamber of the National Assembly to present her bill on abortion.

Based on a painting by Gustave Caillebotte.

To mark his forty-year career, choreographer Angelin Preljocaj has revived ‘Le Parc’, one of his most iconic works, at the Paris Opera. Set to music by Mozart, this romantic ballet depicts the games of love and chance, starring Alice Renavand and Mathieu Ganio.

A ballet staged by Angelin Preljocaj.

Disaster strikes during an impromptu safety inspection of a building site. The workers must work together to fix the mess – but not everyone is present…

A couple dances a choreography by Angelin Preljocaj.

Live footage of the complete choreography by Angelin Preljocaj, based on Karlheinz Stockhausen's piece "Sonntags Abschied".

Ballet in three acts (1994) Encore Screenings! ‘What has become of love today?’ asked Angelin Preljocaj in 1994, when he created Le Parc for the Paris Opera Ballet. Thirty years later, the world has changed again, but his timeless ballet has travelled around the world. In a French-style garden, the choreography draws us into the seduction games of the Grand Siècle and the Age of Enlightenment, appealing to our classical musical and literary imagination: famous works by Mozart, the Map of Tendre, Dangerous Liaisons. But Preljocaj breaks with tradition by introducing a contemporary soundtrack and a choreographic language composed of broken lines and sensual movements. Like the final pas de deux, where the bodies whirl around for a languorous kiss: a moment of grace that has become the signature of this ballet.