The Son

18th-century Turkmenistan. By the will of the rulers of the Khanate of Khiva, the once-blooming land was turned into a desert. In order to unite the scattered nomadic tribes and make his people independent, the elder of one of the tribes, Khodjanepes, secretly travels to St. Petersburg to seek help from Peter I. The tsar, who was interested in strengthening the southern borders, sent Prince Cherkassky's expeditionary force to Turkmenistan, but he made a grave mistake. After listening to the Khiva Khan, who had heard about Khodjanepes's visit to the Russian capital, the tsar divided the expedition into two groups, giving Khodjanepes an excellent opportunity to deal with his soldiers.

The plot of the philosophical parable, the meaning of which boils down to the simple idea that "people are animals", develops in three instructive directions: the story of the shepherd waiting for death, who once did not meet his mother, who came to him from a distant village; the second story is about a young man who went to the mountains away from the worldly world, and finally, the third story is about a sheep trying to save its child from the fate that was destined for it.

It is about a young rural beauty's attempt to break free from the traditional constraints of her predetermined female destiny.

The end of the 1920s. A young oil engineer, Ovez Emudov, arrives in the Karakum Desert to search for oil. The lack of drinking water, necessary equipment, and workers in the barren steppes, as well as the open sabotage of the trust's employees led by Mukhortov, a staunch enemy of the Soviet government, are all factors that the head of the exploration site must contend with. The film is dedicated to the 50th anniversary of the Turkmen Soviet Socialist Republic.

The film is dedicated to the boys who grew up during the war. The main characters are the milkmaid Bahar and the village postman Merdan. They are not even nine years old, but they know that every day they live and every good deed they do brings them closer to Victory Day and the day their fathers return.

Like all of the Turkmen director Khalmamed Kakabayev's films, this one is about children and their first discoveries of the world of emotions and nature. Seven-year-old Almaz lives in an orphanage. He is very independent and rarely asks for help from his teachers. Like all orphans, Almaz dreams of his parents suddenly appearing in his life. One day, when he meets a woman in a cemetery who is mourning her son, Almaz befriends her and helps her cope with her grief.

1919. Retreating under the blows of the Red Army, the English interventionists intend to take all the purebred Akhal-Teke horses with them. They are assisted in this by the horse thief Alikhan, who has already managed to obtain the purebred Lachin horse. To oversee this crucial mission, Captain Kelvin arrives in Ashgabat. Red Army soldier Kurban also arrives, already monitoring the situation and providing necessary instructions to the underground. Meanwhile, Dovlet, the owner of Lachin, tries to free his beloved horse, but he is captured by Alikhan. The young man learns that the horse thief plans to deceive the British and sell the herd to the Basmachis.

The focus is on a group of design students who graduated from the Academy of Arts of Turkmenistan. After graduating from alma mater, each of them is busy with his own affairs, and is quite well arranged, but not in his specialty. Unrealized creative dreams do not give them peace and spiritual harmony. - The plot reveals the life of the protagonist, his creative path and the eternal search for a muse. On one of the beautiful days, one of the heroes learns that a grandiose project is planned to be built in Ashgabat, and a competition is announced. Under this slogan, he unites his associates.