Cemento

Sabina lives with and from her parents in her thirties. Another "artist" who drags herself through a Madrid in crisis, surrounded by people even sadder and worst than herself. Chance gives him the opportunity to "kill it" - and why not?

A novelist ends up stuck in the hotel that he works at during the pandemic.

Eva has a date that does not arrive, and some other issues.

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.