Theatre 1

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

An ample community of cats has set up home around the Shinto shrine in Ushimado. Some local residents take care of them, others are disturbed by their mess. Kazuhiro Soda observes their co-existence with kindness, precision and occasional involvement.

Wai-chan is one of the last remaining fishermen in Ushimado, a small village in Seto Inland Sea, Japan. At the age of 86, he still fishes alone on a small boat to make a living, dreaming about his retirement. Kumi-san is an 84 year old villager who wanders around the shore everyday. She believes a social welfare facility “stole” her disabled son to receive subsidy from the government. A “late - stage elderly” Koso-san runs a small seafood store left by her deceased husband. She sells fish to local villagers and provides leftovers to stray cats. Foresaken by the modernization of post-war Japan, the town Ushimado's rich, ancient culture and tight-knit community are on on the verge of disappearing.

What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.

MENTAL is a feature-length documentary that observes the complex world of an outpatient mental health clinic in Japan, interwoven with patients, doctors, staff, volunteers, and home-helpers, in cinema- verite style. The film breaks a major taboo against discussing mental illness prevalent in Japanese society, and captures the candid lives of people coping with suicidal tendencies, poverty, a sense of shame, apprehension, and fear of society.

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

After failing her university entrance exam, Sakuko is invited by her aunt Mikie to spend summer vacation in a beautiful seaside town. Sakuko gets to know the people of the town, including Takashi, a shy relative of her childhood friend.

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

Can a candidate with no political experience and no charisma win an election if he is backed by the political giant Prime Minister Koizumi and his Liberal Democratic Party? This cinema-verite documentary closely follows a heated election campaign in Kawasaki, Japan, revealing the true nature of "democracy."

In the Japanese town of Ushimado, the shortage of labor is a serious problem due to its population’s rapid decline. Traditionally, oyster shucking has been a job for local men and women, but for a few years now, some of the factories have had to use foreigners in order to keep functioning. Hirano oyster factory has never employed any outsiders but finally decides to bring in two workers from China. Will all the employees get along?

Follows the retirement of the head physician at a mental health facility in Japan

Late at night, a Japanese businessman enters a pizza shop and observes strange but typical New Yorkers, eating their pizza in their own queer ways. The businessman makes fun of them, believing he is the only one who is a normal person there. However, it soon becomes apparent that he is no less strange than them.

Ann Arbor, Michigan is the prototypical college town—a small city with a massive research university, a tradition of political radicalism and Michigan Stadium, the largest in the United States and the home of University of Michigan football. With a capacity of 107, 601 the entire population of Ann Arbor fits in the stadium, which fans affectionately call “The Big House.” Michigan football goes back to 1879, and is known for its distinctive winged helmet and its fight song “The Victors.” But this direct cinema documentary eschews gridiron grandeur to look closely at all the labor—from the cooks to the cops to the cleaners—that goes into hosting 100,000 people. Shot against the backdrop of the 2016 election and the rise of Donald Trump, it presents a microcosm of America by showing everything but the game.