Acosada

Chronicles the events immediately surrounding the CIA- supported coup itself.

Directed by Pablo de la Barra, Queridos compañeros (1977) is a Chilean-Venezuelan political drama that delves into the fervent revolutionary movements of the late 1960s. The film follows a group of young radical leftists that struggle to change the Chilean political status quo. The production of Queridos compañeros faced significant challenges, since filming started in 1973 but was abruptly halted due to the military coup in Chile that year. Director Pablo de la Barra managed to save the film's footage but lost the original audio tracks. In exile in Venezuela, he reconstructed the sound with the help of the original actors, completing the film in 1977. The film offers a poignant reflection on the aspirations and struggles of a generation striving for systemic change, providing insight into the political dynamics of Chile during a tumultuous period.

Andrés lives obsessed with the disappearance and possible murder of his family during a violent military coup in his country. The years have aggravated his obsession and he has become a police man as a way of accessing the truth. There is some madness in his life. He won’t rest until he finds the truth which is closer every day.

Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.

The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.

Assigned to South America, US official Philip Michael Santore is employed by a counterinsurgency agency. His position makes him a target for a local band of guerrillas, and, before long, Santore is kidnapped. As a prisoner, he undergoes interrogation, shedding light on the violent situation in the country. Once the insurgents are done with their questioning, they must decide whether Santore lives or dies.

President Romulo Betancourt's government has just began, an attack is brewing on his life. Braulio an unemployed actor, comes to work in professional wrestling, and falls deeply for Rosario, lover of Buffalo, director of the wrestling group, Ronco, who once is saved by Braulio in a clash with police, offers this winning good money for doing an "important work".

Chilean exiles in Paris discuss the problems facing them. They kidnap and attempt to re-educate a touring singer from their fatherland.

Pedro is about to be appointed a judge of the supreme court Spanish, but a call announces the death of his grandmother in Venezuela and its subsequent inheritance. This news forces him to "take suitcases", never imagining that this country change the way you see life, justice and love.

Cecilia (Eileen Abad) and Beto (Ricardo Bianchi) discover that their love may be marked by a dark secret from their past. Cecilia, a humble, studious, and free-spirited girl, and Beto, a passionate, charismatic, and sensitive young man, meet at a restaurant when she is dressed as a hamburger. From this peculiar and fun encounter, they develop a special connection that eventually transforms into a deep and sincere love. However, their happiness is threatened when speculation about a possible family link between them begins to emerge. At the heart of these speculations are the mysteries and secrets of her parents, Cosme and Carmen. During a visit to Cecilia's house, Beto discovers that her father has another family, which deeply disillusiones him. Frustrated and confused, he decides to distance himself from his young love.

A true story where the magical and the supernatural come together to make everything happen.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

A woman is found dead under gruesome circumstances. Police Inspector Manuel Salas (Félix Loreto) leads the investigation into a series of brutal homicides: women murdered with razor blades, raped, and with a rose as the only clue. As the serial killer continues, the time between each crime decreases, increasing the urgency of catching him. As the case unfolds, Manuel meets Marisa (Mimí Lazo) and her teenage daughter, Christina, after Marisa finds the body of one of the victims. Accidentally implicated, she collaborates with the police, which strengthens her relationship with Manuel, leading to a romance.