Andrew Dawes: Dynamic Range

Moving between earth and stars, past and present, this hybrid feature documentary follows the extraordinary life of Wilfred Buck, a charismatic and irreverent Indigenous Elder who overcame a harrowing history of displacement, racism, and addiction by reclaiming ancestral star knowledge and ceremony.

An otherworldly film that takes a deep dive into a species that confounds scientists to this day. Ancient and diverse, thriving in adversity, lichen is a model of ‘emergence.’ This film reveals the hidden magical beauty of this remarkable life form and asks what we might learn from it.

Guided by the wisdom of Ininew astronomer Wilfred Buck, this immersive experience shares four Cree star stories, exploring the cosmos to teach us how to live a good life with future generations in mind.

Toronto’s town square is flooded. The city’s infrastructure has merged with local flora. In this radically different future, people have found a connection to the past.

Sensationalized in the media as a high profile catfishing case involving an NBA superstar and an aspiring model, Shelly Chartier was portrayed as a master manipulator who used social media as her weapon. Through the sensitive and intelligent lens of Indigenous directors Lisa Jackson and Shane Belcourt, the sensationalism is swept aside to reveal something much more compelling and complex - the story of a young woman caught in historical circumstances beyond her control and how she struggles to rebuild her life after incarceration.

The story of a Cree family's strange encounter one winter night, which results in a conversation beyond words.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

Over the course of a night, two sisters roam the inner-city streets of their neighbourhood as they try to escape another stint in the foster care system.

A startling blend of archival and contemporary imagery pays homage to Indigenous sovereignty and resistance in this film set to Leanne Betasamosake Simpson’s inspired version of Willie Dunn’s classic song “I Pity the Country.”

Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.