Crematorio, en fin... el mal

The acquisition of a refrigerator is the excuse to expose the happiness and problems of a classic Cuban family in the 50's.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Carla, a young postal worker in Havana, spends her days postmarking thousands of letters and dreaming of the day when she can be reunited with her parents, who moved to Miami when she was fifteen. To fulfill her longing for intimacy, she opens random letters and rewrites them into lyrical prose, believing she is helping her fellow Cubans understand one another better. Beautifully filmed in black and white accented by brilliant colours, Nada+ has a stunning visual composition. With its delightful mix of visual humour, theatrical characters, satire and a lighthearted love story, it has a distinctly Cuban flair.

When a young man is killed in Central Park in La Habana, a series of coincidences reveals that many of the night walkers that hang around the park are related to the crime.

In a Havana public office, the charwoman discovers the sexual activities among the workers.