Nyewu

A teacher who loves his students in the wrong way

Dimas found various creepy oddities after he ate the offerings given to his grandmother, Mbah Tini, who had died 40 days ago.

NN lives in an environment that is completely at odds with who they are. Their past has made them lose faith in the concept of God—only the plants they care for and Yono, a man who runs a plant shop and seems to share the same beliefs, offer any sense of connection. One day, NN decides to prove that God does not exist and begins to challenge Him. One by one, their wishes are granted—but the consequences are far from what they expected. NN's life starts to change in unexpected ways.

One day, the cafe where Kevin works is borrowed as a filming location. At an unexpected time, Kevin meets Ranni, one of the make-up artists in the production crew. At the same time the clapper closes, they then imagine as if they were in a movie and do various romantic scenes. But when they are free from their imagination, they have to face the awkwardness and embarrassment of getting to know each other.

The relationship between native women in the cities of Cianjur, Bogor, and male tourists from the Middle East, that merges beliefs and morals.

Trapped in a constantly shifting reality, Nara launches a desperate pursuit of a mysterious figure she believes is the only way out.

A young girl realizes she has forgotten her late father's smile when her mother asks her to paint their faces.

Arul an office worker who had to bury his dream profession. However, it turns out that he is not the only one who experienced it.

After Indonesia became independent, a veteran independence soldier, Ki Atam, continued his life selling banana blossoms for a meager income, he lived a life full of poverty. Approaching the anniversary of Independence Day, he wanted to buy an Indonesian national flag for his house. However, a tragedy befell him.

Fahri is haunted by the spirit of his ex-lover, Amira, who is still demanding responsibility. In the waltz, Amira reminds Fahri of the mistakes he made in the past.

A final-year student often mocked for his "weeb scene" lifestyle and his gray jacket, is forced by his friend to adopt a "culture scene" style for the yearbook photoshoot.

Satria, a professional thief, lives ironically within an academic community. Behind his friendly demeanor, he crafts a step-by-step guide to stealing—divided into two phases: pre-theft and theft. Through witty yet biting narration, the film peels back the layers of moral absurdity in society, questioning the line between cleverness and crime. A social critique wrapped in satire and irony.