Dia Yang Tercinta

A women in prison movie set in a Japanese POW camp during World War 2.

Next time you're having a bad day, just remember: It could ALWAYS be worse! Just look at the case of Marni. For starters, she gets gang raped by some thugs at a campground. And then she goes home to be comforted by her caring boyfriend, who recently confessed his love and took her virginity, only to find him in bed with another woman. When she starts acting out, her parents hand her over to an uncle who also rapes her. She miscarries shortly after finding out she's pregnant and is finally put out of her misery after her rapists murder her and then toss her body in a lake. Unfortunately, in death the poor girl can't even rest in peace and she returns as a vengeance-seeking ghost because her body wasn't properly buried. Now that you know all about Marni, don't you feel better?

Spoof based (loosely) on an old Indonesian film, which has had the old foreign soundtrack removed and replaced by an over-dubbed English track. Central character is a female wrestler who has decided that she no longer wants to wrestle, but whose mother (a former wrestler herself) wants her to keep wrestling to make money so her brother can have the operation (his seminal vessels run to his skull, rather than his groin, which purportedly will cause his head to explode if he gets too excited). During the course of her story (in which a number of brawls ensue), she is befriended by a Elvis-impersonating martial artist. This recut/redubbed version is 72 minutes long.

They've beaten and tortured him. They've raped and killed his woman. But they've made one big mistake. They didn't kill him. Alex Trambuan, known to his friends as Rambu, is a lone vigilante and former police officer who takes revenge on the entire Columbian drug cartel that killed his wife. There can be only one winner in this game of death, his name is Rambu, this is his private war and this city will never forget his legacy of vengeance.

Renny Basuki is a young woman and a former judo champion who, after her father's demise, tries to look after her impoverished family. When her younger brother is diagnosed with a deadly disease, she is desperate to afford his surgery costs. One day, Indra, a professional wrestling manager, offers Renny and her friend Mia to join a female wrestling troupe. They agree but Renny's mother disapproves her wrestling career.

Twins, Rina and Ratna, are separated without their parents’ knowledge, by a midwife who longs for a child of her own. Rina lives in the city and Ratna becomes the daughter of the midwife who lives in the village. After the death of her parents, Rina is treated as a housemaid in her uncle Harmoko’s, house, who is dominated by his wife. Meanwhile, Ratna grows up to be a tomboy who performs acrobatic tricks with her friends, Martin and Ucok, to earn some money. When she can’t tolerate the treatment of her uncle and aunt, Rina runs away from home. Ratna also runs away from home when she is about to be engaged to an old man. They somehow end up switching places so Ratna manages to change the situation at Harmoko’s house, while Rina manages to soften up the drunken Martin. The story ends with the unity of the twins.

Rafiq, a sheepherder in a village, loves to sing. His voice is always heard in the village and over the farms. This attracts the attention of Santi, a famous singer who is vacationing in the village. When they meet, she sympathises and even falls in love with him.

Tells the story of a couple who live a mediocre life with various burdens. When Marsudi is found guilty and imprisoned, Susanti decides to take the forbidden path. The relationship between husband and wife becomes cold.

Descended from a long line of Satanists, a man is given the role of sitting with the dead. He gets fed up with and wants a normal life but is tempted back over to the dark side by necrophilia.

After her mother and some others are slaughtered, Rani decides to investigate. She's aided by her two friends, Tina and Ika, Tina's policeman father Dewo and plantation owner Guntur, on whose property the massacre took place.

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

Sri Lestari and her fiancé, Joni are invited to an empty house. Instead, he is met by a policeman who asks him to the police station for questioning. Joni then calls his future mother in law, Rahayu, who later on, pays a visit. When Joni goes back to the police station, Rahayu had left behind a letter after taking poison. The letter tells her life story, about her husband, Yono, who had many wives and liked to sleep around. This prompted Rahayu to get a divorce and start an affair with her former lover, Jufri. But Yono is angry when he finds out about the affair. He fights with Jufri, but ends up being killed by Jufri. In panic, Jufri runs out of the house and is killed by an oncoming truck. Then Rahayu goes to her aunt’s house claiming that Yono has remarried. Frans, the maid begins to blackmail Rahayu but Rahayu later poisons her. All of this happens when Lestari was five years old.