T'ipaqkuna kullakitas

First it's paint bombs, followed hard by riots. Tweets proclaim what is to be done. Resistance is everywhere. Something has to give. Two young activists meet amid turbulent events. They dance. The city belongs to them.

Selva, thirteen years old, discovers that when we die we just shed our skin. We can turn into wolves, goats, shadows, or anything as long as your imagination allows it.

The land expels and the ocean drowns, departures repeat themselves in every generation. Selva dances within voices and memories; in a game that prepares her for the inevitable separation.

Soledad tries to remember her childhood. At 9 years old, when she discovers that she is in love with her cousin Juan, she begins to live an intense and forbidden story. Soledad is sure that children also fall in love.

An older woman lives close to nature but far from people. Her only interactions are with her dog and a young woman. Based on a very simple narrative, this short film contains images of mesmerizing beauty that tell us a story that goes beyond the story.

Faced with the possibility of electing a president with a past of sexual harassment, four Costa Rican filmmakers come together to produce a series of film letters in which they express their discontent, their fears, and their experiences, but at the same time, the invincible power of union that characterizes women in dark times. Each card expresses a different perspective on the experience of women in this patriarchal society.

Daniel, who spends his days in a wheelchair, discovers that immobility can be a profound journey with a lot of movement

This short narrates the ups and downs of the people on La Matanza, Argentina