My Asian Heart

At the urging of a socialist fellow Australian, filmmaker David Bradbury travels to Cuba and documents the current economic, social and cultural realities and disappointments of post-revolutionary Cuba.

A portrait of a brutal Pinochet military dictatorship made during a three month visit to Chile in 1985 by David Bradbury. The footage reveals a country torn with civil strife and political unrest; military intimidation of the population; indiscriminate arrests: murder torture and disappearances were facts of Chilean life.

Frontline is a 1980 Australian documentary film directed by David Bradbury. It follows the career of Tasmanian-born combat cameraman Neil Davis, particularly his time in South Vietnam and Cambodia in the late 1960s and early 1970s. It was nominated for an Academy Award for Best Documentary Feature. [Note: as shown in the movie poster, the title may be "Frontline", not "Front Line".]

Auteur filmmaker Paul Cox contemplates his own mortality and his life's work as he wits for a life saving liver transplant.

Energy Resources of Australia (ERA) pushes to open a new uranium mine that is surrounded by the World Heritage listed Kakadu National Park.

Australian journalist Wilfred Burchett reported the Vietnam War from the perspective of the North Vietnamese. For this he was reviled as a traitor and a communist in the Australian media. He had been the first journalist into Hiroshima after the atom bomb, and he covered wars in Vietnam, Laos and Cambodia. Filmmaker David Bradbury interviews Burchett in his later years and intercuts the interview with archival footage and still photographs. Burchett is seen in newsreel coverage and in footage taken by the North Vietnamese. Archival footage of the Vietnam War and newsreel footage of Hiroshima after the atom bomb enrich the documentary.

A personal story of one man's tour of duty in Vietnam and his obsessive search to locate forty-two former enemy soldiers killed in action so that their bodies can be returned to their families and their spirits put to rest.

The film combines comedy and serious content to explain the dangers of uranium mining, the nuclear fuel cycle and the use of depleted nuclear materials – much of which originates in Australian uranium mines – in weapons production. The message is simple and clear: Despite assurances from the mining companies, there is NO SAFE LEVEL of radiation exposure, below which there is no risk of cancer or birth defects occurring.

The 1981 murder trial of Alwyn Peter made Australian legal history when his defence lawyer successfully argued that charges of murder and manslaughter were inappropriate for dispossessed, semi-tribal Aborigines.