The Factory

The series follows the story of the disappearance of a boy in Paraná state (Brazil) and the investigation of the case.

Due to a rare disease, a child grows a beard. He likes being himself but resents people staring at him.

Adrift and desperately needing money to pay for his ailing adoptive father's care, Ubaldo, a bank clerk who's unable to remember his childhood, receives an inheritance that will change his destiny for good. He goes to Cratará, in the heart of the northwest desert, where he'll become the leader of a pack of ruthless bandits, fulfilling the legacy of his biological father - a mythical cangaceiro.

Twenty years after City of God, Buscapé recounts how conflicts between police, traffickers, and militias impacted the community.

40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.

Natalio Arenas is a hypnotist who can put people into a trance and make them reveal their innermost secrets. But Natalio suffers from insomnia, which hides a secret of his own.

After his wife's death, Fernando becomes a quiet and introspective man who raises his son, Daniel by himself. Every night, while the boy is sleeping, Fernando "revives" his wife by touching her clothes and organizing her personal belongings. Paulo does not get along well with his mother-in-law, who judges him unprepared to raise the boy without help. Lonely, Paulo has to resist the advances of his recently divorced sister-in-law.

Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes the end.

In a distant mansion lives a religious and apparently incomplete family: a mother and her two daughters. Until the day which a new disturbing member comes to put things in their place.

In the prison yard, the prisoners play football, dance “capoeira” and talk about freedom.

For seven years Aly Muritiba worked in a prison in Brazil. There, he was part of the Alpha team. After studying film and making some shorts, Aly returns to his old job to be reunited with his former colleagues and make a film about the Alpha Team. The Team consists of 28 people, men and women of different origins and backgrounds, that work as caretakers and custodians for over a thousand criminals in a Brazilian prison. Walkiu becomes the leader of the team and hopes to do a good job. But as time goes by he realizes that his hands are tied.

This is an exiting night in the life of Nelson and Lucas. They are preparing to march to the government hall. Nelson is a elite squad police officer. Lucas, his brother, prepares posters and Molotov cocktail to ignite the crowds.

In a huge abandoned shed, a woman inflicts the most various tortures on a man in order to get answers.

After his father's death, Gabriel leaves for Armação Beach in search of his origins. What he ends up finding is a complex plot around the mysterious figure of his grandfather, a whale skeleton and a city that wants to bury the past at any cost.

In the mid 90s, Luís Cláudio Freitas is forecast as the great promise of the Brazilian boxing. His younger brother, Acelino "Popó" Freitas is new in the career so nobody takes him seriously.

Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.