The Metaphysics of Buster Keaton

A study of Tennessee Williams's life and work as a whole, ranging from his youth in Mississippi and in St. Louis to success and acclaim, followed by the final difficult years. Includes some of the most celebrated scenes from film adaptations of Williams' work, among them extracts of A Streetcar Named Desire (1951),Cat on a Hot Tin Roof (1958), Night of the Iguana, The (1964), and Suddenly, Last Summer (1993) (TV). Contains footage of Williams being interviewed, including conversations with David Frost, 'Edward R. Murrow (I)', and Melvyn Bragg, as well as reminiscences from people who knew and worked with him, among them Edward Albee, Gore Vidal, and his lifelong friend, Lady Maria St. Just. Features readings from Elia Kazan's Notebook by Kim Hunter.

Convinced of her limitless talent, charm, and ability, Rosie sweeps the neighborhood Nutshell Kids into the beam of her private spotlight as they perform in her pretend movie.

This film documents the major directions in modern American art during the first seven years of the 1960s. The keynote is that the artist has expanded his realm from the two-dimentional picture frame, climaxed by the artists of the 40s and early 50s, merged color with sculpture, and sought out modern media to express himself. This has produced the characteristic wide spectrum of interest, ideas, and products in contemporary art.

In 1974, five former activists from the 1960s meet in a bar, but do not relate. Each is lost in his or her own memories of more hopeful, revolutionary days.

This profile of acting coach Stella Adler includes interviews with Adler and with colleagues, students, and friends, along with clips from her own acting performances as well as from her classes.

Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays". This part is about jumps.

Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays". This part is about Pointe Technique.

Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays". This part is about Pirouettes and Turns.

Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays". This part is about the technique on the Barre.

Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays". This part is about Transfer of Weight.

Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays". This part is about Arabesque.