Areia

The arrival of Suzane Von Richthofen shakes Tremembé's order, sparking a power struggle with Elize Matsunaga. Jatobá seeks protection, while Nardoni, the Cravinhos brothers, Roger A. and others face internal clashes and defy the system.

"All Paulos in the World" is a cinematographic essay about Paulo José, one of the greatest artists in Brazil, in the year in which he turns 80 years-old.

In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.

John, unable to understand the illness that drives his grandfather between past and present states, stumbles into an old album full of photographs. The images guide his imagination, transforming his grandfather’s memories into drawings that shape their relationship into a history of memory-building and remembrance.

Alphaville is a slice of the lifestyle inside the wall. The portrait of a Brazil surrounded, where danger, unwanted interactions, all kinds of movement, heterogeneity and unpredictability of the streets are supposedly kept away.

The film follows the daily lives of residents of a community, made up of two favelas and a housing complex in São Paulo, which is about to undergo an urbanization process. However, possible urbanization generates resistance from residents of the most valued area of the neighborhood, in a movement known as “Not in my backyard”.

Ziraldo - Era uma vez um menino... is a self-portrait of the artist. The film follows Ziraldo's trajectory by means of statements and interviews he has given over more then forty years. His life and art history in his own words, voice and emotion.

A documentary about the crowd of people that commingle throughout the 3.5km of the Minhocão, an overpass in the central region of São Paulo, built during Brazil's military dictatorship.