Love Reveals Itself: Making Immoral Tales

Three men are reunited after 30 years by the echoes of a terrible crime. Old men now, and at the end of the line they are intrigued to meet a young girl named Sarah. Through her they are plunged back into the sordid (and hilarious) belly of Australia's underworld, both past and present.

A short documentary about the making of the 1966 film 'Cul-de-sac'.

Daniel Bird narrates the making of Andrzej Zulawski’s 1981 film- Possession- covering the film’s inception, casting, shoot, it’s release in Cannes, and it’s reevaluation and cult status.

Disillusioned by a revival of public shaming via social media, a young Australian filmmaker confronts the real-world damage caused by a vicious online monster he created.

A 19th century fur trapper must figure out his past when he awakens all alone in the Rocky Mountains badly hurt and with temporary amnesia.

A documentary on the making of Roman Polanski's 1965 film "Repulsion," featuring interviews with Polanski, producer Gene Gutowski, and cinematographer Gil Taylor, among others.

A documentary by writer and filmmaker Daniel Bird about the making of Sergei Parajanov's 'The Colour of Pomegranates'.

A visual essay about the the design of the titular beast in Walerian Borowczyk's "The Beast," as well as a synopsis of a treatment for the film's unmade sequel.

Poster analysis mini documentary.

An exclusive talking head documentary about the film's production discusses how each aspect of the film was made and eventually halted.

During a hospital stay in 2001, the Polish painter, sculptor and filmmaker Walerian Borowczyk compiled a handwritten list of the objects and animals that were featured in his films. While he had used both encyclopedias and dictionaries to order chaos in his own films, this list saw Borowczyk putting his own life in order.

This six-minute short from director Daniel Bird takes a look at the silent cinema pioneers that influenced the work of Walterian Borowczyk. We take a look at various aspects to THE STRANGE CASE OF DR. JEKYLL AND MISS OSBOURNE and then see the influence that some early silent filmmakers had on it. This includes the work of Georges Melies as well as others.

The filmmakers revisit some of the shooting locations of THE CREMATOR with director Juraj Herz and chronicles the making of the 1969 film.