Our Father

Belgrade, 2003. When Serbian Prime Minister Zoran Djindjic is assassinated, the country plunges into chaos, and the authorities' response is to introduce a state of emergency. A turning point in recent Serbian history through the perspective of a journalist, a police officer, and a criminal.

Lack of money, inability to find a permanent job, living with parents or roommates, unsettled love relationships — this is how the life of most young people in Serbia could be described. Through the four friends' struggle with the life challenges, the series also tries to evoke the spirit of Belgrade today: it talks about those who live in it, those who leave it, but also those who return to it.

When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.

Trapped by daily routine, a man experiences complete freedom by dreaming himself across the country in a psychedelic Volkswagen with the guiding words of philosopher Alan Watts.

Teenage assassin sets out on a long voyage to gun down a witness under protection program, who luxuriates in the artificial worlds of Las Vegas.

Mara, a successful businesswoman and single mother, is heartbroken after her son Nemanja’s untimely death. She becomes emotionally detached, refusing to communicate with friends and family. However, when she meets Milan, Nemanja’s close friend, she finds solace and comfort in their relationship.

A story that follows three generations of a rich Serbian Christian family in the 19th century in the north of the then Ottoman Empire in the city of Vranje, who are fighting for survival through various moral crises, facing decline. Forbidden love, intrigue, murder, arranged marriages, revenge, friendship and enmity between Serbs, Albanians and Turks and the endangered position of women at that time

In a Serbian village on the slopes of Stara Planina live 15 households. The youngest man in the village is 70 years old. The film gathers the intimate thoughts of the inhabitants of this village, whose wait for death is marked not by loneliness but by a common bond. The reduced nature of their daily life speaks not of poverty but of a spiritual wealth. Though without heirs or much of a future, they are not crushed by their solitude, but thankful for the life given to them. By observing their life, which is focused on the details of daily tasks, through deliberate movement and silent gestures, we discover people in harmony with the cycles of nature. In presenting their most intimate reflections on isolation, wilderness, life, love, this film is a testament of their preparations for their journey.