Staging the Treaty: Part 3 - The Purge

The day-to-day dramas of the community who live and work in the fictional north Dublin suburb of Carrigstown.

A four-part filmed presentation of Staging The Treaty by ANU Productions - a live recording of the long-form theatre performance re-staging the Dáil Debates of (1921–1922) at the original location where they took place in Earlsfort Terrace. Based on adaptation of original transcripts by Theo Dorgan, directed by Louise Lowe in 2022 and filmed by Tiny Ark. INTO THE MAELSTROM (161 mins): DAYS 1–4. The Plenipotentiaries have arrived back to Dublin from London to present the Treaty for ratification by Dáil Éireann. A bitter argument brews with De Valera, Arthur Griffith and Michael Collins.

A four-part filmed presentation of Staging The Treaty by ANU Productions - a live recording of the long-form theatre performance re-staging the Dáil Debates of (1921–1922) at the original location where they took place in Earlsfort Terrace. Based on adaptation of original transcripts by Theo Dorgan, directed by Louise Lowe in 2022 and filmed by Tiny Ark. THE BALLOT (140 mins): DAYS 12 & 13. Attempts to find common ground have failed. De Valera announces that he proposes to resign as President. Griffith calls, in an impassioned speech, for the Treaty to be passed. The vote is finally taken. The Dáil has spoken, but there will be no peace.

A four-part filmed presentation of Staging The Treaty by ANU Productions - a live recording of the long-form theatre performance re-staging the Dáil Debates of (1921–1922) at the original location where they took place in Earlsfort Terrace. Based on adaptation of original transcripts by Theo Dorgan, directed by Louise Lowe in 2022 and filmed by Tiny Ark. THE TITANS (191 mins): DAYS 5–8. The Dáil is now in Public Session. Arthur Griffith proposes adoption of the Treaty, De Valera opposes this.

James Joyce and Nora Barnacle are living in Trieste. Joyce has embarked on his great enterprise, the composition of Ulysses. After a night on the town, he sits at his writing desk, working on his masterpiece. As he begins to write, he is visited by two ghosts, Homer and Penelope, who have a thing or two to say to him and to each other. As morning approaches, Joyce composes a letter to his aunt, inquiring after everyday Dublin life, details of which will become the thread of his iconic masterwork. Meanwhile, Nora pines for home, longing to return to her beloved west of Ireland.