La segunda guerra de los niños

A school closes due to heavy debt which brings the children into action by doing naughty deeds so as to persuade the real estate agency to reopen the school, and since this didn't work, they kidnap the school's owner in order to be heard.

This time the brave children from Parchis music band are facing a crazy professor who invented the invisibility formula.

When the Parcheesi kids return from Disneyland, they learn that Vicky, Don Atilio's daughter, will be their new group mate. But Don Atilio opposes Vicky's relationship with Gemma, Yolanda, David, Tino, Frank and Carlitos, so he sends her to a nuns' school run by Don Atilio's sister.

A magician with an orphaned granddaughter lives in a theater where a group of Spanish child singers come to perform. The presence of "Los Parchís" helps the great magician Gundin regain his confidence in his performances and provide a better life for his granddaughter.

A new adventure of Parchís.

Parchis are kidnapped by a native tribe while on their trip to Iguazú Falls.

A married couple are temped by passions around them.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

A new adventure of Parchís.

A hunchback working in a morgue falls in love with a sick woman. He goes berserk when she dies and seeks help from a scientist to bring her back from the dead.

Vida/Perra is the first feature-length film of Aguirre's "Anticine" and the first monologue in movie history. Aguirre's wife, Esperanza Roy, is the actress of this piece of visual art made as an adaptation of Ángel Vázquez's novel, whose texts are read by Esperanza "as they are." This means, the text have been extracted from the novel without changing their words.

A recent widow has invited a group of family friends to her large and secluded country home. However, what the guests don't know is that the reason they've been assembled is that their host suspects one of them might be her husband's killer and she's intent on uncovering the identity of his murderer. As the guests begin to suspect each other, revealing long-kept and sinister secrets in the process, an unknown, black-gloved killer begins bumping them off in a variety of nasty ways.

In 1916, while Europe was in the middle of First World War and Spain was enjoying the advantages of being a neutral country, eroticism was called voluptuousness and Senator Duke of Daroca, despite his ancient lineage, fell completely in love with a famous cabaret singer, Rosario "La Criollita", which was a scandal. At that time, it was doubted that decent women had legs - But this mystery was resolved a decade later, when the roaring twenties arrived and, with them, the sensual Lupe Cardoso

Four women spending the night in a deserted sanitarium on a mountain fall into the hands of an evil doctor with a terrible secret.

Raquel's not able to have children, so she and her boyfriend manipulate another young woman into bearing his child.

The film chronicles the life and marital problems of a couple, through the vision of his two sons, four and eight years old and how, despite their young age, they understand the marital problems.

"Flights…One of the most import ports in Spain. People… Antxo, Donibane, San Pedro. Homes with tradition, parties, streets, port workers, women salting fish, mending fishing nets…" Javier Aguirre

"I consider that Espacio dos and Tiempo dos must be considered as important works . Moreover, I affirm that, together with Tierra sin pan and Cuenca, it is the only truly important thing that has been done in Spain within the documentary genre." Javier Sagastizábal

In the sixties, just before starting his career as a feature film director and his parallel career of the Anticine, Javier Aguirre had a brief career as a documentary filmmaker, which served him to test and rehearse many procedures that he would put into practice in the avant-garde aspect of his work. The trail belongs to that period, a few years full of mystery, but whose works are emerging demonstrating the portentous gaze of Aguirre. The trace has hardly been seen in the last sixty years, and it is an opportunity to recover this vision between anthropology and the vanguard of one of the hallmarks of this city. The film has been restored by the ECAM Archive in collaboration with Filmoteca Española.