February Answers

The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.

Daniela is unsure about what to do next and where to live. Mia is finishing a master’s degree that she spontaneously started. Along with Natascha, another friend thinking of moving to Vienna, they wander around and talk.

She has everything her heart desires. She's popular, loves shopping, comes from a loving family. She plays volleyball and afterwards has a smoke with girlfriends. Sports club, barbecue, hairdresser: her life is perfect. There’s only one thing that makes her stand out: she is a cow.

bombs like fireworks, the artifice of televised war in a soft, black sky, perforations of light in the film’s velvet for any serious reflection the sidereal Consider in memory of the fallen in Gaza, the stars.

Oracle is a method: it is the voice of the question and the answer.

Travelling by land and sea and through the space-time, searching for gold and beauty, the Mercenary Archaeologists have trespassed the limits of the Ancestral Garden, causing disorder between the sky and the sea.

The time machine works by superimposing puzzles, materializing the past and projecting the future. All previous and future images will be forever impressed on the stills of a film reel.

A woman goes alone through the streets of Moscow, getting on and off subway trains and underground passages on her way to a meeting that includes a screening of a film about a cat. And that's it; or so it is for those who believe the plot is the best part of cinema. The Jahn-Dullius duet makes an enigmatic film between abstraction and trance. Because as they search for that visual purity that's historically connected to experimental cinema--equally far from theatrical as from the written word-- they leave one thing clear: cinema is all about images.

The winter reigns as the Traveler crosses by feet an ancient landscape. In this place there's also another presence, someone who's very similar to the Traveler. Does the Traveler realise this figure that cohabits the same space as him? Is the other a guardian angel or a devil?

Then he wakes up thinking he's woken up from a dream and thinks he's fallen asleep... He wakes up late and realizes that it's already dark and feels very sleepy.

An experimental film collectively produced in 16mm at Maumau - Recife.