The Pink Living Room

Homage to the Akerman masterpiece Jeanne Dielman. Film by Roger Stack. Music by Star Amerasu.

A love letter that will send the dark underneath; hand made on clear 16mm leader with colored pens, nail polish, and found footage laying around the San Francisco Art Institute’s Studio X.

A celebration of being there for yourself in this wild, isolating world. Created during the COVID-19 pandemic lockdown and captured entirely through iPhone screen recording.

Music by and starring Star Amerasu (as AH-MER-AH-SU). Film by Roger Stack.

Inspired by George Kuchar’s The Mongreloid, Scarlett reminisces with her cat Lolita about their years together, telling her own and her family's story.

Another multi-layered, painterly work of prayer, meditation, and autohypnosis.

A multi-layered, painterly work of prayer, meditation, and autohypnosis.

The filmmaker visits their friend in the hospital and the two make a movie that's filmed backward but played forward.

Documentation of a performance art piece about the artist’s mother, incorporating video, audio recording, and photography; performed live in Studio 9 at the San Francisco Art Institute.

A black-and-white 16mm portrait of a young sex addict in San Francisco.

Surveillance snapped into the creative mind of a filmmaker on a surreal walk home from the movies on a rainy night.

He is mute flesh that the stroking of fingers can bring to sing.

A Godard-esque depiction of the mastication of grapefruit meat.

A union of earlier experiments and experience of filmmaking as meditation, prayer, and autohypnosis. Some kind of holy, emotional euphoria., escaping poetic words. Music and cinema are everywhere.

Stream-of-conscious filmmaking with live performance, on mustering up the energy to seize the day and work with the knowledge of future flowers.

A video diary from Xmas 2023 New Years to awards season, the filmmaker's personal cinema, and a tribute/time capsule of their cat Fox, their movie-loving friends and film community of Portland, and the actresses they love -- with Annette Bening's Nyad Oscar campaign as its political backdrop.