We Have to Talk

After working eight years as a chef, Ramon (Luis Ziembrowski) is fired from the restaurant. To survive, Lili (Paula Ituriza) leaves the countryside with her family, and Ramon gets a job as a maid, pretending to be a woman.

Inspired by true events. Buenos Aires, 1979. Bill Evans, the great jazz pianist, arrives in Argentina for a series of concerts. One of them is in San Nicolás, a town in the province of Buenos Aires. Evans (a heroin addict for twenty years), along with his two musicians and his manager, get into the Argentine businessman's car. On the day of the concert, they learn they will be playing during the "Miss Winter 1979" pageant. Out-of-tune piano, boxing, drugs, death, memories, whiskey, and empanadas. In a town similar to his childhood, the impossible and the true collide for Evans.

Follow Luis & Anita in this Argentinian indie charmer about young love. After a chance meeting the teenage couple's relationship blossoms into intimacy. However, an unexpected pregnancy throws their school life into fits.

Two award-winning advertising creatives throw a party at their mansion and are surprised by a lumpen and his son who try to rob them to pay off their debts with a threatening moneylender

The story takes place in a parallel world during a tour of the musician Daniel Melingo in Europe. What looks like real not always is. With elements of surrealism, the 1930s and the 21st century, the plot accompanies him always focused on the intermediate times, when he downs the stage, away from the show.

In 1918, two important events took place in the City of Buenos Aires: an unexpected snowfall and the visit of Dadaist star Marcel Duchamp. The artist who dared to paint a moustache on the Mona Lisa touched Buenos Aires soil, getting around the restrictions of World War I and having as his only contact with the other members of the movement the handwritten letters in which he described the strange customs of the Argentinians. Through the endless possibilities of fiction, Everything I See Is Mine reconstructs Duchamp's days among visits to the Palermo lakes and the ritual of mate.