The Roaming Center for Magnetic Alternatives

Through interviews with her partner cum archivist, Florrie Burke, this delightful homage celebrates the life and love of iconic lesbian experimental filmmaker Barbara Hammer and the deep imprint that she made on the world.

Pat, the evasive, androgynous character made famous on Saturday Night Live by Julia Sweeney, was an inescapable figure in 1990s pop culture. As a child, filmmaker Ro Haber became obsessed with Pat—a character whose popularity stemmed from making others uncomfortable by defying gender norms. Decades later, and now an out trans filmmaker, Haber still grapples with Pat’s legacy. Thirty-five years after It’s Pat first aired, Haber assembles a group of queer and trans comedians, writers, and even Sweeney herself to revisit the character. Through conversation and critique, they aim not to erase Pat but to reframe them, transforming a symbol of ridicule into one of reflection and empowerment.

A documentary following the unsolved murder of Venus Xtravaganza, star of the legendary film "Paris Is Burning," as Venus' two families — biological and ballroom — come together to seek answers and celebrate her legacy.

A playful 3-minute vignette by American choreographer and filmmaker Celia Rowlson-Hall, Taxi! turns a maddening cab ride into a whirlwind of color and movement. This is the first in a series of shorts that Rowlson-Hall plans to make with her favorite dancers all over New York City – here with Or Schraiber spinning out to music by Mas Ysa.

This documentary reflects on the disappearance of lesbian bars in the United States.

An archive-driven exploration of the life, work, and legacy of iconic, pioneering lesbian filmmaker Barbara Hammer.

Tennis doubles partners participate in the Kansas State Championship and compete for each other’s attention. Their lively team has some interesting traditions, including a mascot that is a preserved shark in a jar named Saporumpet and who may not be a lucky charm after all.

A short film about a young woman’s wild imagination of the relationship she truly desires in 1950s Kansas.

Displaced LGBTQ New Yorkers return to their parents’ homes during quarantine and reflect on the cultures of where they grew up.