Magnetized

See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico.

This drama based on a true story follows the Puccios, a criminal family who kidnaps wealthy people and holds them hostage in their home.

Five wanderers roam around Buenos Aires and it’s wild outskirts. God, schizophrenia and alcoholism is what gathers them in the search for salvation. A love triangle and the obsession over a little pig in the religiosity of the ghetto; a mental institution patient who finds an unstable emotional partner desperate for love; and the doctor of this story, an alcoholic, dangerous for himself and others, who heads without hesitation toward self destruction.

Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.

Two young urchins turn the streets of Buenos Aires into their own magical playground, in this vibrant portrait of young love.

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

Persephone is released from prison after three years. Returning to the neighborhood will present him with a new hell. Without a job, she gets the help of Juana who shelters her in her house and with whom she looks for some changa to survive.

Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.

It tells the story of three characters: a young woman who works at a dry cleaner, a father who leaves prison and the Salvation Army, and an old woman.

The godmother and Perla are the world to "the little girl," a world defined by the four walls of a studio apartment with one window looking nowhere. Only space and alter the monotony, the blood transfusion sessions to which must be submitted Pearl and almost anonymous sexual encounters of the baby.

Julieta and Federico are parents of three boys, it is a high class family. He is a successful architect. They receive the visit of Tito, uncle of Federico, a gray man who has just left the prison. Tito wants to go to the sea and Federico proposes to go to a house that he himself built for some friends, but Federico stays in the city, working.

Luis Ortega's apocalyptic third feature follows a group of five survivors as they embark on a journey that will force them to face their fears, dreams and longings in their quest for salvation across the Fijman River.

An armed young woman and a poet with a strange physical condition live in a house disconnected from the outside world. One day, a knife sharpener rings the doorbell and falls in love with the girl at first sight. The poet believes that it is death coming for him. When she becomes pregnant and her son is born, the young woman returns to her mother's house, a lady with serious mental problems.

At night a traveling flash runs through the streets of Buenos Aires hell, illuminating even the most remote roads. It's easy to mistake it for an angel. Its light, volatile step numbs the city and condenses the glances. It takes refuge in subways and tunnels under the ground. It comes off time. It tempts the dead to come back. It is The Light. The comfort of the homeless.

Ludmila Vieytes is in a cockfight in Cuba. With her baby in her arms and in a wheelchair, she comes to a passive acceptance of the torture, of the human and divine violence that shapes her beliefs.

Follows a man as he silently goes through the desperation of a break-up. He aimlessly wanders the streets, meeting the night people of Buenos Aires; loners, thieves, fugitives, homeless, suicides, lovers and the ghost of the lost lover.