Les filles c’est pas pareil

A disturbing exploration of what it means to be a man Desert Wind unveils the innermost thoughts of 13 men about their lives and male identity, making a clean sweep of clichés. Their revelations -- a glimpse of the hidden side that few men spontaneously reveal -- are of equal interest for women.

The history of the roles of women in Quebec society, beginning with the women shipped from France to the New World by the King to populate the colony with the men already there, and ending with the modern career woman.

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.

A young Haitian (Michel Mpambara) who loves America visits his uncle (Maka Kotto) in Montreal.

Striking images, rare archival footage and interviews underpin this analysis of Canadian mining companies' profits, impact on the environment and on workers' health.

Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.

While visiting their grandparents in the Québec countryside, two children enter a fantasy kingdom and are confronted by evil forces.

Basements is the title for the omnibus film that brings together two plays by Harold Pinter – The Dumb Waiter and The Room – each, once again, set in a single location.

At the turn of the century, Rose-Aimée, the hard working wife of photographer J.A. Martin, decides to leave her children with an aunt to go with him on his annual tour of the Québec countryside. She hopes the intimacy will rekindle their marriage.

Paulo, a young pianist, meets Ilir, a double-bass player originally from Albania. It's love at first sight. Confronted by Anka, Paulo finds himself out on the street. Despite Ilir's misgivings, Paulo moves in with him. One day, when Paulo promises that he will love Ilir for the rest of his life, Ilir leaves the city and doesn't return. A few days later, Paulo finds out that Ilir is in jail, and the two lovers embark on an heart-breaking relationship.

After abandoning her four-year-old daughter in Lebanon to pursue a better life in Quebec, Sana cuts every link to her Lebanese ties and never looks back. That is until her daughter, now 21, shows up in Montreal for a visit. This film explores what it means to be free for a woman.

Haunted by the death of their father and the disappearance of their mother, four children, three girls and a boy, take refuge in an ideal and delirious world while opposing their social environment. With its lively and daring camerawork, The Orphan Muses goes beyond filmed theater and plunges the viewer into the heart of personal and family identity.

Martin, a homosexual widower and whimsical of fifty years, sees itself propose to contract a marriage white with a Congolese of twenty years, Tamara. These two beings that everything separates are going to believe in their love against the authorities of migration and to force to pretend.

A penniless Argentine male escort meets a solitary, lonely Belgian baker who wants to help him leave the world of prostitution, explores intimate gay relationship.

A 12-year-old girl faces a father she hardly remembers after his transition into a woman.