Синята Деветка

The action takes place during the Second World War. Unexpectedly in a train compartment a fugitive - British captive - appears among the passengers. The human solidarity is stronger than the fear, and they do their best to save him.

A young literature teacher joins an evening technical school where her students - miners, metallurgists, builders and drivers - clash with her literary ideals. To understand them, she visits their families, workplaces and reads their essays on “The Best Person I Know,” learning their hidden struggles and reexamining her own moral judgments.

Impersonating a knight is one of the favorite games of nine-year-old protagonist. Now as Don Quixote, now as D'Artagnan he is fighting evil, he is searching for justice and defending the weak. Together with his friends, packed in cardboard armor, they play all day long. As he is playing, however, he unwittingly witnesses the relation between his parents and gradually comes to understand that the world of the adults is far removed from the canons of knightly honor. His parents love him, but never seem to find the time to listen to his concerns. The deceit, corruption and lack of respect in his own family alienate the small boy. The only adult, whom the boy trusts, is his uncle to whom he is attached by a genuine, equal, man-to-man friendship. He takes him to the cinema and theater performances and talks to him like with his peer. Will this sensitive kid ever succeed in building an internal armor against selfishness and rudeness?

Pavel Pashev receives a package with three shrunk up apples - three vampire apples. According to the legend, he is doomed. Who sent the apple? For years, there has been a feud between Pavel and Kuzdo. Both of them are on age, when a man reflects on his past. Their conflict represents the different viewpoints of violence and freedom. Who is the sinner - the man who fought with honor for this world or the observer, the human register?

There was an undeclared war for nearly half a century in Bulgaria between the then government and the majority of democratic-minded filmmakers during the Communist regime. Paradoxically, most of the banned or censored out movies were made by members of the Communist Party, believers in their party's ideas and justice. The Communist Party aesthetics against the freedom to tell truth.