Full Metal Village

A supposedly deaf-mute peddler, who roams the countryside as a dance vendor and day laborer, meets a single woman who keeps her desire for closeness at a distance with anonymous phone sex. The two emotional Eskimos attract and repel each other, lie to and desire each other, perform egg dances on frosty-thin ground, fight for affection and a goldfish always ready to break out.

The Democratic People's Republic of Korea is a country with a very strong social cohesion and the unprecedented admiration of the people for their leader, which is absolutely unique and incomprehensible especially from a Western point of view. The native Korean director Sung-Hyung Cho tries to understand this by accompanying several Koreans from different backgrounds in their daily lives. The film shows the country and its people in a way, as it is rarely done in Western media, non-judgmental and respectful towards the people.

In 1952, while the Korean War was still raging, the rulers of North Korea sent hand-picked students to other socialist countries to be trained there and later use their newly acquired knowledge to rebuild their destroyed homeland on their return. The majority of them ended up in the GDR, where they soon found their way around the German language and culture. During their stay, many of the North Korean students also met young women with whom they fell in love and with whom they eventually had children. But when the young men were ordered back to their homeland in the early 1960s, some of the newly formed families were left behind. The story of those left behind is told in "In love, engaged, lost".

A documentary on the German Women Football National Team and the 2011 FIFA World Championship in Germany.

In this mockumentary a first-time documantary filmmaker meets the artist of all classes Ischariot Wiesengrund. Despite their obvious differences the two men develop a strange familiarity.

The double portrait of two young Korean women: one studies music in North Korea, the other international relations in South Korea. In the 70th year of Korea's division, South Korean documentary filmmaker Sung-Hyung Cho ventured between the fronts and discovered striking similarities in the lives of both women on both sides of Korea.

“Isn’t the moment of liberation coming soon?” (From Anne Frank’s monologue) She spends most of her time sleeping in her room. One day, upon waking up from a dream about her dead aunt, she finds out about an audition being held for the play Anne Frank. She believes that this is the implication of her aunt message “Talitha Koum (Wake up, girl)” and makes it her mission to play the role of Anne Frank.