Margherita, mozzarelle and Fanta

Giuliano and Camilla seem like the perfect couple, but Camilla's drug addiction threatens their happiness. After numerous failed attempts to help her, Giuliano leaves her on the advice of a friend. A year later, Giuliano has a new life with Matilde. Camilla reappears desperate, asking for money.

After the end of the relationship between Gabriele and Arianna, she finds herself facing silence and loneliness, but with the support of her friend Cecilia, she begins a path of healing. When she meets Edoardo, Arianna realizes that love is not limited to just one person, but is an inner strength. Arianna learns to let go of the past and embrace a future full of hope and new opportunities with Edoardo.

Flavio, immersed in the sadness of nostalgia and regret, faces his daily loneliness, seeking solace in the solitary ritual of smoking a cigarette. Each puff becomes a journey back in time, an immersion in a parallel dimension that brings to light the moments shared with Alberto. The warmth of those hugs, the echo of shared laughter and the tears that bathed their cheeks become present, as if they had just happened. Every blurry image that surfaces, every fleeting glance that materializes and every whispered word that resonates reveal the fragile nature of human balance and the profound gravity of the choices that shaped their relationship. But in that very smoke lies a strange consolation, a sense of acceptance that begins to germinate in his heart. He accepts the end of the relationship, with all its painful consequences, and launches himself into a new future, leaving behind what has been and opening his arms to the unknown that awaits him.

Two young men from the outskirts of Rome, Marcello and Nino, destroy the neighborhood boss’s bar and are forced to flee. As they run, Marcello hides on a film set in Cinecittà, where he has an encounter that will change his life.

During the 2020 lockdown in Anzio, Jacopo plays the piano while sipping coffee. From his balcony, he notices Greta arguing on the phone: her relationship has ended. To comfort her, Jacopo plays for her, but Greta shuts herself inside, destroying the memories of her ex. Discouraged, he gradually stops playing. One day, while hanging out the laundry, Greta comes outside: they exchange a timid greeting. Struck by his smile, Greta begins to return to the balcony more and more often, hoping to see him again and hear his music.

In a bar, Sofia and Filippo—once in love, now strangers only on the surface—meet again for a drink that turns into a confession. Between irony and melancholy, the two retrace the past and the failures that have marked them, discovering how difficult it is to live with loneliness and with their own limitations. In the play of banter, memories, and still-open wounds, a subtle affection resurfaces—made of regrets and an intimacy that has survived time—leaving suspended the question of what remains when love ends but does not completely fade away.

Emma, a young woman suffering from chronic pain, finds herself trapped in a life marked by physical suffering and misunderstanding. Despite her efforts to explain her discomfort, her condition is systematically ignored or minimized by doctors and by her partner Daniele, who tell her that “it’s all in her head.” Through her intimate and everyday experiences, we see Emma struggling with a reality that isolates her, made worse by the superficiality and sexism with which her condition is treated.