Cleopatra: The Film That Changed Hollywood

The Robber

a robber inadvertently affects the life of a stranger, who in turn inadvertently affects his own life.

The Art of 'Spirited Away'

The people that brought the film Sen to Chihiro no kamikakushi (2001) (a.k.a. "Spirited Away") to the US explain how it was converted into English, with some minor confusion between languages, and how well it did in both Japan and America.

The Omen Legacy

The true stories that spawned the serie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling information about the the all-too-memorable flick that has terrorized film audiences since 1976.

The Alien Saga

In 1979, Alien burst onto the scene with a strong female lead in the form of Ripley (Sigourney Weaver) battling the ultimate biomechanical creature. The brilliant and terrifying result reinvented the horror and science fiction genres, creating one of the most successful and celebrated film franchises in Hollywood history. This award-winning, feature-length documentary explores the series.

The Last Days of Sharon Tate

The documentary profiled the final and last days of Sharon Tate Polanski, a beloved actress and model, who was killed in 1969 by a cult in Los Angeles, California. She was eight months pregnant with her son at the time of her murder.

Hearts of Darkness: A Filmmaker's Apocalypse

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.