This Is an End

In Gascony, a sparsely populated region in the southwest of France, lives Dr. Jean Cadéot, a ninety-year-old veterinarian who continues to work tirelessly and still enjoys doing so. Although his eyesight is getting worse and worse, he treats his animal patients with all his senses and all his love.

Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.

An imaginary journey on a ship. We turned the building of the Film Academy into a ship. Claire and Solange from a Jean Genet piece, a polish woman with her Madonna, screaming sailors are a few of the passengers on this artifical journey.

Women and their children disappeared without a trace in a mountain near Rome. The case remains unsolved and therefore becomes a myth and the film sets out to discover what this and a myth actually is, namely an expression of past history in time and space. We see like in a very old play the appearance of the actors playing the myth, who become more and more intensely mythical themselves. They speak up and yet suffer, they are just playing and yet they are guilty. The narrator, the choir, the revenge, the madness, the love, the death. This is what Blue is made of!

Aurand and Pfeiffer filmed each other at four famous sites in Europe: walking in a summer dress through the snow in front of the Reichstag in Berlin, spinning a young boy again and again through the air in Red Square in Moscow, climbing on a hot day into the waterfall at the Place de la Concorde in Paris, and, as two angels in London, walking through the night of the City. The film begins with a text about improvisation by Jonas Mekas read by himself.