Los dioses de cara blanca

A young peasant farmer has a feud with a heartless landowner which results in the landowner killing the peasant's cattle which result in the peasant killing the landowner which for the man goes in to hiding for more than 40 years, hounded by the murdered landowner's son obsessed with finding his father's killer.

Los Nevados is the first peasant feature film from Venezuela. The magical poetry about humans who endure an almost animal, almost instinctive, almost sad existence, which turns into a complaint.

Poetry film based on "El regalo" by Honduran writer Clementina Suárez.

A rural community in the Ecuadorian Andes suddenly faces a land dispute with the legal representatives of a large company. The discovery of very rich ore deposits in the territory is the reason of the offensive greedy on those places, where the community lived since immemorial times.

Florentino is a young horseman and singer, a free spirit living in the open world without restrictions, in the Venezuelan plains. He confronts the devil in a duel of improvised verses. As time passes, these unspoilt plains start to change. Through Florentino's voice and actions, the plains cannot be conquered. Its culture defies the devil in the eternal fight between good and evil, between life and death.

Documentary about the struggles of the people of El Sitio del Anís, in the Venezuelan Andes.

In this short film, made on the occasion of a visit by Maurice Hasson to Mérida to perform in concert, he evokes in a warm conversation his indelible memories and deeply human experiences of his life in Mérida.

An exploration of the Latin American protest song through performances and interventions by some of its most prominent figures: Pablo Milanés, Lilia Vera, Mercedes Sosa, Joan Manuel Serrat, Daniel Viglietti, Carlos Puebla, Sara González, and Gloria Martín. Filmed on the occasion of a concert organized by the University of the Andes at the Mérida Bullring, the documentary constitutes an essential record of the Nueva Canción movement as a continental cultural force within the broader context of the political struggles of its time.

Based on the thesis of Alejandro Rivero and Ernesto Pacheco, this documentary attempts to glimpse, through the senses, the fourth mathematical dimension.

Documentary about the Yekwana people.

A topographer who makes a living drawing up maps for indigenous and peasant communities dreams of managing death.

Yo hablo a Caracas (1978), the first documentary by Carlos Azpúrua, is marked by the luminous presence of the Yekuana shaman Barné Yavarí. This elder from the Amazonian forest articulates two powerful and prophetic warnings: first, a demand for respect toward the sovereignty of Indigenous beliefs and culture; second, a grave denunciation of the threat posed by “criollo” presence and its economically irrational logic to the natural balance of the Amazon. Through Yavarí’s voice, the film contrasts modern exploitation with a millennia-old Indigenous worldview grounded in harmony with nature, turning the documentary into an early and resonant plea for cultural dignity and ecological consciousness.