Les fils qui se touchent

One year after the closing of Operation "Marseille, European Capital of Culture" in 2013, the director Nicolas Burlaud draws up a critical review of this year "exceptional" according to local decision-makers. According to him, the festivities were a Trojan horse. While the inhabitants looked elsewhere, too busy to "cultivate" during this event, the promoters seized the districts of the popular classes. An area that has metamorphosed but caused the poor to flee, unable to pay higher rents.

Marseille, a European city like many others. La Plaine, a lively district, a large square, a historic and popular market. A tumultuous battle between, on the one hand, the city council's urban planning services, determined to carry out a major program of "requalification" of the district. On the other hand, a part of the residents, who refuse this gentrification operation, and demand to be associated to the decisions. This epic story lasts 3 years and ends abruptly with the incredible construction of a concrete wall of 2m50 high all around the square. The television of the district, imprinted with the stories of past uprisings, a tool of counter-propaganda throughout this battle, refuses to stop at the report of a defeat and wonders. Summoning the Free Communes of 1871, their joyful and fiery rage, a singular writing takes hold of the fiction. In order to make this collective struggle a victorious human adventure, another way of making the city and the world is envisaged.