Emptiness Can Hold Things
Places—like stories, but different—are structures of communication and collective memory. A place is an organization, and memory is often an articulation of space. Something about space escapes our attempts to look at it from above. At intervals and thresholds of an urban landscape, EMPTINESS CAN HOLD THINGS improvises on techniques of polylinear perspective long practiced in Japanese painting and landscape design, in order to explore experiential principles inherent in the definitions of place. Merging architectural space with cinematic construction, this experiment pursues a cinematic language for the genius loci, captured in manifold perspectives and composed with reference to a mobile viewpoint that is propelled by feet.
Directed by Rachel Strickland
More from Rachel StricklandSee all →
The Flower of Pain · 1983
Backyard Transformations · 1991
Finger Film · 1976
Folia · 2015
Fly Line · 2013
Soundsurround · 2006
Shuffled Stories · 1990
Antecedence: Terence McKenna Talks Virtual Reality · 1991
Kalopashka · 1975
Palladio Potatoes Piano Piano: Building a Villa in 29 Scenes · 2008
Solstice and Solyanka · 1975
Allegro · 2008
Rebuilding an Old Japanese House · 1981
Casting Sand Flying Glass · 2023
For The Birds · 2012
Unnamed Work in Progress · 2016More Like This
Couldn't load this row right now.
