The Nameless

The boundary between viewer and art dissolves in Ho Tzu Nyen’s sublime work, The Cloud of Unknowing. Step inside and find a comfortable space in the room. On a screen, a narrative unfolds, set in a public housing complex in Singapore, where eight characters in eight apartments individually encounter a cloud, embodied both as a figure and a vaporous mist. The film is rear-projected and looped, integrating a complex soundtrack and synchronized steam machines to create a seamless and sublimely atmospheric sense of film/audience permeability. (Sundance Film Festival)

A television switches on. A mind snaps. A man discovers his murdered wife. As he stares at her lifeless body, the events leading to her death play before him, like in a movie. HERE follows the journey of He Zhiyuan, a middle-aged man who struggles to make sense of his reality. Reeling from the sudden death of his wife, he loses the will to speak and is interned at Island Hospital. There, he meets strident kleptomaniac Beatrice with whom he forms an inexplicable bond. As He adjusts to life within, he is selected for an experimental treatment, which forces him to confront the devastating truth behind his past, present, and future. Meanwhile, a filmmaker visits Island Hospital to document the lives of the staff and patients.

Ho Tzu Nyen's Hotel Aporia features a cast of historical figures from Japan's interwar period, including World War Two kamikaze pilots, philosophers of the Kyoto School, filmmaker Yasujiro Ozu, and animator Ryuichi Yokoyama. They were all caught up in the heady mix of Japan's militant nationalism, anti-modernism, and cultural propaganda. Letters and correspondence between the artist and his Japanese collaborators, the writers Tomoyuki Arai and Yoko Nose, form the narrative basis of the work. Experimenting with the epistemological and affective capacities of animation, Ho superimposes animation images of featureless faces onto found footage clips from Ozu's fiction films and Ryuichi Yokoyama's animation propaganda films. This is a single-screen cinematic presentation of Hotel Aporia. Its original form, first presented at the Aichi Trienanle, is a video installation projecting layers of animation and hybrid-animation images onto multiple screens within a heritage building.

Seven young directors from Singapore produce a cinematic cadavre exquis.

Essay film about mythology and the history of Singapore.

​The 49th Hexagram explores the construction of cultural memory and political narrative surrounding the history of the Korean peninsula. Employing the services of an animation studio in Pyongyang, North Korea, Ho Tzu Nyen’s work reinterprets scenes of political uprising and mass demonstration as depicted in South Korean narrative film and television. The project aims to form a direct relationship between South Korea’s political history and the tensions that still define the country’s relationship with its northern counterpart. The result is, in the artist’s words, a “game of exquisite corpse across geopolitical barriers.” The artist developed the experimental soundtrack in collaboration with Korean artists and musicians Bek Hyunjin, Park Minhee, and Ryu Hankil. Offering two vocal renditions of texts from the forty-ninth hexagram of the I-Ching, an ancient Chinese divination manual, the soundtrack composites historical interpretation with translation to speak of revolution and renewal.