O Fim da Noite

A group of gentlemen raise birds for singing competitions. The film delves into the small world of these characters, discovering their special relationship with these animals and with the very time of their lives.

Under the blinding sun Clara struggles to see her family and the reality that surrounds her.

Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.

The birth of music from the noises recorded in the memory of a violin.

A character, an actress and the passing of hours in a Holocaust interrogation. The film moves through the echoes of reality: representation, testimony, memory, fiction and investigates the limits between actress and character.

Through virtual conversations, the film reveals a diverse panel of experiences of Brazilians living abroad. They are students who have moved in search of academic knowledge and professional training, and now have to deal with issues such as being a foreigner, the distance from Brazil and the impact of their choices. Made from the research material for “Bildungsroman”.

"For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation." Rainer Maria Rilke.

It's dusk when the wind blows.

Sinfonia da Vacina (Vaccine Symphony) follows a day of vaccination against Covid at the Municipal Theater in Rio de Janeiro: when the stage closes for the show, but opens up for collective care during this very important period for Brazil.

Bildungsroman follows young people who carry with them the responsibility of growing up within great academic institutions. Four students live out their dreams and desires for a fulfilling life and profession on a daily basis. Along the way, they achieve many things and leave behind many illusions.

Jockey Club. Rio de Janeiro, August 7th. Hats circulate through the halls of the Brazilian Grand Prix.

Muanza, a woman born in the Kingdom of Kongo in the early nineteenth century and trafficked to Brazil, awakens to find herself in the present, roaming the streets of Rio’s rapidly changing port region, known as ‘Pequena Africa’, or Little Africa.

One guest, one room, one body.