Lúcida

Janaína is a black screenwriter embarking on a new audiovisual project. She meets the rest of the team, where all of whom are white, on a farm. Pedro, the leader of the script room, disappears. Janaína investigates and makes unimaginable discoveries.

A hardworking physical therapist, Adriana is facing multiple challenges at once. After being fired from the clinic where she works, her house is hit by a flood that ends up killing her husband, Carlos. Now homeless and struggling to support her family, Adriana starts working for the Brandãos, a traditional wealthy family from São Paulo, as the caregiver for Artur, the grumpy patriarch. The millionaire jeweler, known for driving away every employee, gradually forms a genuine bond with Adriana, who must also deal with the distrust of the rest of the family.

Nando dreams of being a great Trap singer, but until his dream comes true, he makes deliveries for Lanchudo, a snack bar in Copacabana.

Two neighboring couples are shocked after their teenage children's fight, with absurd consequences. What could be a common misunderstanding grows and reveals the limits and influence of parents in raising children.

Reinaldo's wife is in a vegetative state, bringing him to decide to euthanize her to end her suffering. However, as if by a miracle, she wakes up. Reinaldo did not know it, but he was being filmed at the time. Samuel, a failed pastor, offers Reinaldo — now drowning in medical debt — money to be a preacher, sending the atheist Reinaldo down a strange and unlikely path to become a religious leader.

Three times and three worlds meet in one place to reveal how politics, love, and spirituality interweave.

The director makes an emotional portrait of the life of his cousin Erika who had one of her two children, Theylor, 16, recently murdered in a police approach and is concerned about the other, Nicolas, 17, who continues to live in the same neighborhood. Erika is pregnant. Fear, pain and happiness mix too much on the outskirts of São Paulo.