Thunderland, as a Matter of Fact

“Ya Garat Al Wadi” is a popular piece of Egyptian music composed by the legendary Mohammad Abdel Wahab and written by the poet Ahmad Shawqi in 1928. More than 90 years later, this film documents an orchestra of 15 musicians, formed by the initiative of Radwan Ghazi Moumneh (of Jerusalem In My Heart), over the period of five days in Beirut to once again reinterpret this great classic of Arab music.

A man decides to lose himself in the Death Valley desert. While on his journey, he encounters a woman who accompanies him on his quest. As they embark deeper into the desert, heat and fever push them to extreme, psychological limits.

Leonor joins a contemporary dance company to unravel the mystery of Oraison, a mythical piece performed by her mother thirty years ago, in the hope of understanding what shattered her. She discovers a ritual in which every gesture summons up the ghosts of the past and reopens the wounds of a lineage.

Optical print film that was constructed from 16mm images that filmmaker Richard Kerr entrusted to Karl Lemieux.

Experimental from 2020

Experimental from 2021

Storm Child is a nightmarish incursion in the tormented mind of a four year old child. Yasmine and her family are Algerian refugees who just arrived in Québec during the infamous 1998 ice storm.

16mm, b&w 7265 Plus-X 7266 Tri-X

Reworking and alteration of Soviet sports films from the 1980s depicting wrestling and pole vaulting.

Shot in Quebec, Canada, The Subterranean Blackness of Roots is a 16mm film triptych which uses several processes specific to analog cinema (hand processing, optical printing, photochemical alteration). The film seeks to show the sensory experience of the invisible life of stones, plants and the nature that surrounds us. It’s a dive into the heart of matter, the essence of the vegetal world and the nourishing earth.

Three women open up about the difficulty they have in getting over their last breakup.

Fractures Chimiques – ON/OFF is the result of an audiovisual performance combining 16mm projection and reactive electronic music. Using a sensor device attached directly to the screen, the light information escaping from the projectors is collected and transferred to modular synthesizers which generate the film’s live soundtrack.

The capital of Lebanon burns through photo-chemical manipulation, specifically variations on Mordançage and Chromaflex film processing techniques. Still, the images from one of the oldest cities in the world remain recognizable... The footage is almost entirely edited in camera. The sound design includes field recordings, modular synthesizers, and Buzuk samples by Bob Lachapelle.

Charles-André Coderre (paper montage and photographic prints, tape and silver salt, film manipulation and 16mm projection)

Experimental from 2015