Schlimmer

Binjamen, irate after a conflict with a local sushi chef, decides to take revenge — in an extreme fashion. But when he meets the vacationing Lynette, he is instantly smitten... and has to reconsider his plans for vengeance when it seems she may be caught up in his actions.

Every Sunday, a group of close friends gets together for a backyard barbecue. But one day, Smitty decides to bring along his new girlfriend — and everyone is shocked to discover that she looks strikingly similar to Samantha, another friend who died several years ago. As the afternoon progresses, each of the friends must not only deal with the new addition to their little circle, but confront the ghosts of their own past relationships — resulting in unplanned revelations.

The flashes of memory that return to Carrie Wallace as she lies bloodied in the street all share a common trait: Each culminates in an insincere apology. A casual bump in the street, a father’s indifference, a boyfriend’s exit, youthful disappointments. But despite her lifetime’s experience, she holds out hope that she may yet witness a true expression of remorse.

Rachael and Frank are longtime detectives who have just completed one of the biggest cases of their career. But as they sit down for a well-deserved celebratory drink, Rachael begins to raise concerns about the neatness with which the case wrapped up. As Frank plays devil’s advocate, the two begin to question some of the conclusions they’ve drawn, ultimately threatening their friendship… and perhaps more.

In this contemporary take on the classic fable “The Boy Who Cried Wolf,” a man finds himself bored with his job — and decides to amuse himself by playing pranks on his coworkers, only to find that they may be disinclined to believe him when their trust is most critical.

In the spring of 2020, as ambitious politicians self-servingly paint an overly optimistic picture of the impact of the COVID-19 virus, regular people find themselves unsure as to how to proceed. But as mask mandates and stay-at-home orders sweep the nation — and once-thriving businesses find their customers vanishing — the unexpected release from day-to-day work obligations accelerates some major life decisions… and for one couple, introduces conflict where it had previously been suppressed.

In the era of social distancing, everyone has had to adjust. But in the world of professional (or semi-professional) wrestling — where in-the-ring competition necessarily requires close physical contact — the challenges presented are particularly troublesome. But a shift in emphasis toward other entertainment aspects may be just what the sport needs to survive.

The Lake tells the story of two sisters, each dealing in her own way with the childhood loss of their father. Claire still lives at home with Mom and spends her days on the lake in their father’s old rowboat. Laney has built her own life in the city, but when she comes back to visit, the sisters’ discoveries will dredge up the past and the secrets that bind this family together may just tear them apart.

Dire warnings of immminent disaster have proven justified, as global destruction begins raining down from purple-hued skies. A Washington family struggles to cope with the advancing armageddon until a lone physicist proposes an unorthodox course of action.

An aspiring social influencer struggles to make a name for herself on offKILLtr, a niche social media site for serial killers. But when her latest intended victim calls her strategy into question, she begins to wonder if she’s taken on more than she can handle…

The Coffmans are desperate to win their bid for residency in a new, environmentally friendly condo. Putting their best face forward, they work to convince a jaded government auditor that their lifestyle makes them worthy of acceptance. But when another couple vies for the same home, a battle for environmental superiority begins.

When three sudden deaths befall members of a small law firm, Karen Dunmore begins to suspect that they may be retribution for a terrible crime and its subsequent cover-up. Fearing for her family’s safety, she desperately tries to convince her husband and his associates to take action. But will it be too late?

Making a good first impression at a job interview is critical, as Mary well knows. But from the start, fate seems to be working against her. She oversleeps, and has to scramble to get ready. She can’t find a taxi, and has to walk from her hotel to the office. She can’t get into an overly crowded elevator, and has to take the stairs. But despite the setbacks, she manages to make it to the office on time, only to discover that — before she can utter a single syllable — the atmosphere is quite contrary to what one would normally expect. And that atmosphere becomes more bizarre with each passing moment.

Kevin can’t seem to catch a break in the romantic arena, and his poker buddies aren’t afraid to let him know it. Over the course of a friendly game, they recount his romantic misadventures, and a pattern emerges — all of Kevin’s concepts of romance derive from 1980s-era films. Which might be all right, except that Kevin can’t seem to execute them the way they come off in the movies. Whether he’s reenacting his favorite scenes from “Pretty in Pink,” “Ferris Bueller’s Day Off,” “Top Gun,” or “Say Anything,” he always manages to end up with egg on his face. That is, until he meets just the right woman…

Emily is nervous about meeting her husband Wilson’s family for the first time at their annual Independence Day gathering. Having eloped, she is concerned that the family will never accept her as one of their own. But Wilson has a plan to bring her into the fold — competing in the family’s annual (if ridiculous) tradition of throwing balls at a target object, a barely-recognizable variation of bocce.

Up-and-coming politico Robert Soxer is making a last-minute campaign appearance at a small kitchen and bath remodeling shop. The shop’s owner, Leon, is an ardent supporter, and takes Soxer and his entourage on a quick tour. Meanwhile, shop worker Rachael, despondent over her recent breakup with coworker Rick, makes a startling discovery — the candidate is far from what he appears to be, giving new meaning to the term “political machine.” As the group leaves, Rachael tries to convince Rick of what she’s seen, but he misinterprets her warnings. Will Rachael be able to stop Soxer’s ascent to power and redeem herself in Rick’s eyes?