3 Seconds In, 6 Seconds Out

A young woman in Toronto waits outside of a subway station to meet her blind date. Despite sending some messages back and forth, he fails to show up. After he finally sends a message saying that he can't make it, she returns home on the subway, considering the loneliness in her life.

Hanna is a real estate photographer from Mississauga who commutes daily to Toronto to snap pictures of luxury apartments for a network of shady, elusive corporations. With his debut feature, director Christopher Beaulieu provides an illuminating insight into the notion of liminality and the economic dispossession of younger generations. Favouring a detached approach, where the warmth of his celluloid images clashes with the cold functionality of Hanna’s digital photographs, where the nostalgia of past prosperity seamlessly seeps into the film material, Otium shows a rare kind of lucidity. Probing the spacious depths of empty dwellings, it tells of the contemporary Tantaluses of Hanna’s generation, for whom the gig economy provides dreams of wealth that it will make sure to keep unfulfilled.

Devastated by the news of his grandfather's imminent passing, a third-generation Italian-Canadian contemplates a move to rural Italy. Wrestling with his family's past and his own future, time seems to fold in on itself as the patterns of history return.