Distant Voices

Story about a poor Japanese woman living near an American army base who resorts to prostitution.

A depiction of a girl’s uneasy state of mind as it wavers between life and death.

A series of 16 "short stories" created by the creator's group Images Forum.

Shortly after moving to the suburbs, the Kobayashis start to come undone. Convinced a family curse is at the root of their erratic behavior, the man of the house takes it upon himself to course-correct before it takes the last of their sanity.

"With this work, I developed/fleshed out the idea I had when making GHOST of peeling only the skin from various objects in the room, floating the skins in midair and then sticking them on different objects. This film was also shot entirely frame-by-frame with long-exposures. Along with GRIM, its meaning is 'as if to do forever.'" - Takashi Ito

When a hooded stranger appears in private eye 'Mike' Hama's office with the cryptic challenge "I want you to look for me," Hama is drawn into a string of bizarre serial murders that have Yokohama's police baffled and the city terrified.

A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

"A long time ago, I would often dream of the uncanny and mystical landscape that appears in moonlight. Irrational landscapes and spaces filled with unspeakable pleasures like a black object that revolves slowly while flying over the scattered clouds that float in the night sky, their lumps illuminated by the light of the moon." - Takashi Ito

"His films are like a roller-coaster. His way of throwing the act of seeing into utter confusion is an attack on the eyes in their corporeal function, and to attack the eyes is to take on tile body itself as your opponent. The film makes you break out in sweat only by shooting a safe, peaceful gymnasium in the dark." (Koharu Kisaragi)

Haunting light and haunted spaces, otherworldly movement and abstracted time. A ghost visits an apartment complex.

A talk show hostess takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there. As she gets closer to the truth, she and her friends are subjected to a brutal nightmare.

A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.

"I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again." Takashi Ito

A samurai outlaw on the run with his motley clan falls for the bounty hunter who's trailing him to the untold riches of a mythical city of gold.

In the final scene of my last work, A SILENT DAY, a girl was filming herself with an 8mm camera on a railway bridge. Although the film doesn’t depict the incident, she later jumped off the bridge in an attempt to kill herself. Two girls witnessed her attempted suicide, and in this film I am attempting to depict the broken state of their psyches. In this piece, various images have been generated as a result of my professional interaction with a number of young people with mental illnesses, and the unstable state of mind which I have often experienced in recent days - Takashi Ito