Tales of Paris

In love with Roxane, who is herself in love with the youngest son of Gascony, Christian de Neuvilette, Cyrano dictates his words of love to the young man. But the Count de Guiche, an unhappy rival, takes revenge by sending Christian and Cyrano to the siege of Arras.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

A six-part French tv series first broadcast in 1979, each episode of Orient Express focuses on a different tale of a journey on the legendary train; each one is set between the outbreak of the First World War and the outbreak of the Second.

Pierre Choderlos de Laclos, author of "Dangerous liaisons", finds himself in prison and confronting the marquise de Merteuil. Together they discuss his characters of the marquise and vicomte de Valmont and the web of circumstance and intrigue that connects Laclos's work and life.

It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...

How did Master Brown turn from a man of faith into a cantankerous, distrustful and cynical man? Nathaniel Hawthorne's character recounts the night when everything changed. In Canada, in a village where everyone seems more virtuous than he is, Tom Brown meets a man who claims to be the devil.

Paris at the Belle Epoque. Monsieur de Pontagnac, a perfect honest man, loves pretty women too much and that plays him many tricks. What need does he have to follow the pretty Lucienne Vatelin, home, to find himself in the presence of the husband, the notary Vatelin, who is part of his circle? From there, many characters will meet, avoid each other, find each other. Adultery, domestic scenes and reconciliation will be their lot.

Four episodes chronicle a mysterious phantom who appears in the Musée du Louvre in Paris at night. Neither guards nor police are able to make an arrest. But a curious young man tries to break the ice and discover what drives the creature and its activities.

Master criminal Fantomas kills an ambassador, has an affair with the dead man's wife, sneaks into a rich woman's house handing out vanishing-ink business cards, is arrested and sentenced to death but switches with an actor, who goes to the guillotine.

The young knight d'Artagnan did not inherit much from his father: a yellow nag and a letter of recommendation to his father's friend. On his way from Gascony to Paris, the knight loses this letter in a brawl. But d'Artagnan quickly wins the friendship of the three inseparable musketeers Athos, Aramis, and Porthos—and the love of the beautiful Constance, who is kidnapped by agents on behalf of the Cardinal.

Catherine Miller's triumph at the Casino de Paris leads fashionable playwright Alexandre Gordi to ask her to create his next play. Flattered, Catherine moves into Gordi's villa near Cannes, escorted by her entire family. Only Jacques Merval, Gordi's secretary, disagrees. This is understandable, as it is he who writes the plays that Gordi, rather tired, simply signs. Jacques is a one-man band in every sense of the word, allying himself with the Casino manager to bring Catherine back to her music-hall successes. Despite a few clouds, and thanks to Gordi's generous intervention, he succeeds. Wasn't his only thought the happiness of the woman he loves?

Adaptation of classical Russian Nikolai Gogol's comedy.