Madame Sourdis

Reduced to poverty, a young man is taken in by a rich lady who asks him for some dangerous services in exchange.

Adapted from Luc Dietrich's touching autobiographical novel, this TV film chronicles the troubled childhood of a boy born at the beginning of the 20th century. Confronted with a drug-addicted mother figure, Luc embarks on a journey of initiation torn between heartbreak and disillusionment, but also innocent mischief and first loves.

Victim of an unfair dismissal, a young secretary strikes back by becoming the assistant to the son of the company's CEO.

Biopic of French film pioneer Alice Guy-Blaché, considered the world's first female director, who directed, produced and/or supervised over 700 films between 1896 an the 1920s, in France and, for a period, in the US.

Perdican, his studies completed, returns to his family castle at the same time as Camille, returning from the convent where she was raised. The two young people are promised to each other, but the young girl appears distant. Out of spite, Perdican courts Rosette, a peasant girl, Camille's foster sister who, for her part, announces her plan to take the veil. Perdican announces his marriage to Rosette. On the eve of the wedding, Camille and Perdican finally confess their love to each other. But Rosette, who heard everything, commits suicide, which separates the two lovers forever.

Three runaway children end up on an island where a lonely sculptor lives.

In Paris in 1935, a young Jewish woman married to an anti-fascist activist befriends her neighbor who is dating a far-right supporter.

"Hangar" is a new agency whose purpose is to carry out missions even too sensitive for the police or intelligence services. The agency must eliminate a German female terrorist by the name of Birgitt Haas. The murder is to be disguised as a crime of passion, so an agent must lure Birgitt into falling in love.

Aloise creates a series of haunting drawings while she is incarcerated in an institution for the insane in turn-of-the-century Switzerland. She endures torments as a musically gifted girl and later as a young woman; her developing madness and the barbaric treatments of the time are shown.

In Belle Époque Paris, a 19th-century Parisian aristocrat falls in love with a lower-class prostitute who seduces him but never loves him.

In a small French village, an angel appears disguised as a beautiful young blond.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

In a most unusual, near menage a trois, Charlotte is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu, her ex, is happily living with his new love Christine.

Two teenage girls are rehearsing a scene from a play by Marivaux, a love scene, and from the first seconds, we know who will be the heroine, who will be Charlotte, the one who will, to summarize brutally, discover her homosexuality.