How to Make Glass (Mechanically)

The revolt at Sobibór extermination camp in October 1943 is a central episode of resistance against national socialism. Thomas «Toivi» Blatt, son of a Jewish businessman, was 15 when he was deported to Sobibór. Blatt was among those who managed to escape during the uprising only to find his newly found freedom deceptive when old friends and neighbours refused to help. Director Peter Nestler accompanied Toivi Blatt on his trips through Poland.

Documentary that portrays Vincent van Gogh's live and work through his letters to his brother Theo.

A large German city at the beginning of the 1960s. This is where the well-to-do Berger family lives. Outwardly a bourgeois idyll, but behind the scenes the family is in turmoil. The relationship between father and son in particular is extremely tense. Martin Berger is seduced by the attractive Britta. It is the beginning of an affair that ends tragically. When the young man finds out that his father is also having sex with the young woman, Martin decides to kill her and also cleans up his friends who are not averse to the vices of life...

1802: The adventurous life story of Hans Bückler, known as “Schinderhannes”, who fights against the French occupying forces and large landowners who exploit poor farmers in the Hunsrück region during the Napoleonic Wars.

Tensions rise when a U.S. military base is built in a small village in post-war Germany.

This dialogue-free short is edited to music and the rhythms of change in a small town in the Ruhr region, shot a few years after the first mining pits were closed in the area. Nestler takes his audience on a journey through mining pits, coal heaps, cold stores, and to workingmen settlements and pubs of Mülheim.

Portrait of a small south German village and its residents in the early sixties. Rural culture is undergoing a transformation caused by the intrusion of the industrial world. Gestures at work and words of its inhabitants.

A strangler is loose on a British estate, and he not only strangles his victims but brands an "M" onto their foreheads before he decapitates them.

A documentary of the town of Sheffield's main pub and the people who went there.

In 1950, Picasso was offered a room that had once been used as a chapel in his hometown of Vallauris. He pictured turning it into a “pagan site for a unique cult” that would “unite all the people and be dedicated to peace.”

Today, the Römerstrasse in Italy's Aosta valley, is a significant traffic artery in the center of modern Europe. Nestler's journey explores the moving history of the Aosta valley, which passed through many hands - from the Roman Empire to Burgundian and Frankish kingdoms - until it was acquired by Italy in the 11th century. The now busy motorway, which runs from the Po Valley to the Great and Little St. Bernhard passes, is revealed through the timeless eyes of a historian. At the same time, the documentary sheds light on cultural traditions and contemporary life in the region.

This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities.

A short pamphlet based on a text by Peter Weiss and on the contrapuntal use of the relation between image and sound. The commercial activities and fantasies linked to tourism in Sweden are contradicted by the geopolitics of capitalist imperialism, in particular with the war in Vietnam.

“Don’t be scared,” he’d whisper, “There’s nothing to be scared of. It’s just the hollow people.” Peter Nestler has made a film based on Israeli author and scriptwriter Etgar Keret’s short story “The Hollow Men”. a man’s memories of his childhood, marked by the fear of bodiless voices and masks. A beautiful and terrible miniature at the same time.

For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.