Gelosi e Tranquilli

A woman in her flooded kitchen thinks of Ophelia and death by drowning. A nun wonders about her vocation. A girl, dumb by choice, walks around in Naples. A ballerina in a wheelchair. Three youths around a bonfire in a little island. A man secluded in a tower waiting for the end of the world. And many other stories.

Enrico Ghezzi cuts out porn magazines looking for a fake cataloging criteria, while Sergio Grmek Germani, off screen, reads and comments on a pornographic filmography edited by Marco Giusti (published by Italian magazine Filmcritica), correcting errors and underlining his insufficient pornophilia.

Docu-drama about cancer patients. An elderly farmer, believed to be mad by his family, dispenses wisdom to the other patients; an actress takes advantage of the hospitalization to shed light inside herself; a young doctor lives with schizophrenia his condition as a patient.

An old patriarch at the gates of death, who has been married five times, reunites his family and indulges in a sadistic game with them.

There's something wrong with the way things are perceived. A different, unfriendly view is to stand out among individuals as their own maker is spelling the rules from a tv set for them to keep on living or to die. No longer than a blow-up such an illusion will survive...

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

Anthology of urban stories form seven Italian directors.

Two old friends have urban adventures connected to the skull of an executed French aristocrat.

Inspired by Rossellini's Europa '51 Straub-Huillet made a film consisting of two pans of a street corner in Paris.

A voyage, from the Po river to Sicily, in search of the sense of culture for the italian population

"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

“Why did you kill her?” Lou asks Philippe again. The life-odyssey of Joana, a modern-day Moll Flanders, continues as she moves through different times and places, like the stations of a personal via crucis, with occasional leaps into the present. From Paris to Rome and on to São Paulo. The body has lost every value, except the economic one.

"Cinema is the first moment in which the world sees itself then we know it is fake, which is a trick [...]. It is a small system, mechanical, banal, simple, corruptible, but it is sufficient to produce a review of the world, we are never interested in doing without living, without loving, we are never interested in making this film for other reasons »