Smoke Signal

Part of the Paramount Musical Parade shorts (production number FF6-1)

Upset with the prevarications of the adult world, Willie launches a truth-telling campaign at school, with the blessings of his pretty teacher Joan Madison.

A satirical inversion of the ideal of the perfect American nuclear family, they are an eccentric wealthy family who delight in everything grotesque and macabre, and are never really aware that people find them bizarre or frightening. In fact, they themselves are often terrified by "normal" people.

Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show's production company, Talent Associates, to capitalize on "the two biggest things in the entertainment world today"—James Bond and Inspector Clouseau. Brooks said: "It's an insane combination of James Bond and Mel Brooks comedy." This is the only Mel Brooks production to feature a laugh track. The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart's opening title sequence at No. 2 on its list of TV's Top 10 Credits Sequences, as selected by readers.

A continuation of the anthology series “Alfred Hitchcock Presents”, hosted by the master of suspense and featuring thrillers and mysteries.

Join the crew of the Seaview aboard their super high-tech submarine, where no mission is too dangerous and no threat is too deadly, be it enemy agents, mad scientists, deadly sea creatures, or impending nuclear disaster.

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

The Time Tunnel is a 1966–1967 U.S. color science fiction TV series, written around a theme of time travel adventure. The show was creator-producer Irwin Allen's third science fiction television series, released by 20th Century Fox and broadcast on ABC. The show ran for one season of 30 episodes. Reruns are viewable on cable and by internet streaming. A pilot for a new series was produced in 2002, although it was not picked up.

The slapstick adventures of hapless Gilligan, long-suffering Skipper and their gang of mismatched castaways, all stranded on an uncharted desert isle after their tiny ship hit stormy weather.

Law of the Plainsman is a Western television series starring Michael Ansara that aired on the NBC television network from October 1, 1959, until May 5, 1960. The character of Native American U.S. Marshal Sam Buckhart was introduced in two episodes of the popular ABC Western television series The Rifleman starring Chuck Connors as Lucas McCain. Law of the Plainsman is distinctive and unique in that it was one of the few television programs that featured a Native American as the lead character, a bold move for U.S.network television at that time. Ansara had earlier appeared in the series Broken Arrow, having portrayed the Apache chief, Cochise. Ansara, however, was not Native American but of Syrian descent. Ansara played Sam Buckhart, an Apache Indian who saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison. He lived in a boarding house run by Martha Commager. The only other continuing character was 8-year old Tess Logan, an orphan who had been rescued by Buckhart. Robert Harland, later of Target: The Corruptors! starred in seven episodes as Deputy Billy Lordan. Wayne Rogers, who went on to star in another Four Star western, Stagecoach West, and later, M*A*S*H, also played deputy Lordan in several episodes.

Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958. The television show is presently shown on the Encore-Western channel. Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.

Richard Kimble is falsely convicted of his wife's murder and given the death penalty. En route to death row, Kimble's train derails and crashes, allowing him to escape and begin a cross-country search for the real killer, a "one-armed man". At the same time, Dr. Kimble is hounded by the authorities, most notably dogged by Police Lieutenant Philip Gerard.

This series chronicles the adventures--in the air and on the ground--of the men of the 918th Bombardment Group of the U.S. Eighth Air Force. First commanded by irascible General Frank Savage--and later by Colonel Joe Gallagher, the son of a Pentagon General--the Group is stationed in England, and flies long-range bombing missions into German-held Europe.

After her father's death, Honey West takes over his high-tech private-detective firm, assisted by rugged Sam Bolt--and her pet ocelot Bruce.

The Rifleman is an American Western television program starring Chuck Connors as rancher Lucas McCain and Johnny Crawford as his son, Mark McCain. It was set in the 1880s in the town of North Fork, New Mexico Territory. The show was filmed in black-and-white, half-hour episodes. "The Rifleman" aired on ABC from September 30, 1958 to April 8, 1963 as a production of Four Star Television. It was one of the first prime time series to have a widowed parent raise a child.

Advertising executive Gwen Taylor sends her art director Rick Todd on a mission to bring an artist back to the commercial fold. Meanwhile, Gwen's fatherless son Timmie, at a remote boys' school, is riding for a fall by manufacturing evidence of his "explorer father." By an amazing coincidence, Rick steps off the bus at just the right moment for Timmie to recruit him as "father" without his knowledge. With no intention of collaborating, the befuddled Rick is carried along by the sweep of events. Who can predict the outcome?