Strip-Tease intégral

So Help Me God

Some 20 years ago, two sex workers were murdered in an upper-class Brussels neighborhood. Celebrated Belgian magistrate Anne Gurwez decides to revisit this cold case, pouring over the evidence with the use of new technologies and tracking down then-suspects.

For a Fistful of Fries

For several days, a team of police officers (backed by Judge Anne Gruwez, the revelation from their previous So Help Me God) sift through the evidence in a murder case that’s tougher than it appears. Jean Libon and Yves Hinant lead a police investigation unlike anything you’ve ever seen. With every banal turn of events, camaraderie and professionalism go hand in hand as humour meets tragedy and a handful of fries, a Tupperware container and St. Rita heighten the suspense. Hilariously scathing, yet filled with tenderness.

Strip-Tease

Strip-Tease was created by Jean Libon and Marco Lamensch. The aim of the creators was to produce documentary films of a new genre, in which the commentators take a back seat to let the protagonists have their say. The program mainly deals with excerpts from everyday life (family meals, washing up, the life of a farmer's wife). Viewers can thus recognize themselves in their daily intimacy.

Le flic, la juge et l'assassin - Épisode 2 : Sainte Rita, priez pour nous

Le flic, la juge et l'assassin - Épisode 1 : La police a la frite

Le flic, la juge et l'assassin - Épisode 3 : L'habit ne fait pas le moine

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Mafia Is Not What It Used to Be

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.