Tambores en la colina

The spoiled and insensitive Estrella de Rossi comes across a humble girl, Virginia, who is her spitting image; almost immediately she comes up with a game and, as a bit of mischief, she pays the girl to impersonate her. When she pulls this off successfully and no one notices the change, Estrella goes further and decides to take a year off to go out and live her life. She forces her double to accept this pact and the young village girl is left to assume the role of a rich and married woman, with a husband who is not really hers but who she ends up falling in love with. She will also face an alcoholic mother-in-law, stepchildren in need of attention and love, a company teetering on bankruptcy and above all, the eminent danger of being discovered.

Pablo returns to the neighborhood where he spent the early years of his life, searching for Juanito, but he does not find him. His sister Delia tells him that Juanito has lost his job and, in his desperation, has turned to crime. It is considered as the first Venezuelan and Latin American neorealist film.

A girl from the interior of Venezuela is dishonored by her boyfriend. This is how she ends up as a cabaret performer, a department store employee and the lover of a wealthy bachelor.