Holiday Inn

Runaway Girls is a lost 1928 silent film drama directed by Mark Sandrich and starring Shirley Mason and Hedda Hopper. It was produced by Harry Cohn and distributed by his Columbia Pictures, then a fledgling studio.

Tough Aggie gives a street guy polish and a rich kid gumption.

Ballet star Petrov arranges to cross the Atlantic aboard the same ship as the dancer and musical star he's fallen for but barely knows. By the time the ocean liner reaches New York, a little white lie has churned through the rumour mill and turned into a hot gossip item—that the two celebrities are secretly married.

Capitalizing on the famous radio 'feud' between comedians Jack Benny and Fred Allen. The two stars play versions of themselves, constantly at each other's throats due to real and imagined slights.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Hips, Hips, Hooray! is a 1934 slapstick comedy film starring Bert Wheeler, Robert Woolsey, Ruth Etting, Thelma Todd, and Dorothy Lee.

Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.

When the US Navy fleet docks at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister, Connie. But it's not all smooth sailing—Bake has a habit of losing Sherry's jobs for her and, despite Connie's dreams, Bilge is not ready to settle down.

Two yokels are framed and sent to prison, but wind up playing football on the warden's championship team.

As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to decide what to do, she meets a handsome attorney, and their innocent flirtation begins to turn into something a bit more serious.

Dr. Tony Flagg's friend Steven has problems in the relationship with his fiancée Amanda, so he persuades her to visit Tony. After some minor misunderstandings, she falls in love with him. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated.

During World War II in San Francisco, Eve Morgan and her single girlfriends spend their days welding ships and their nights dancing with soldiers and sailors shipping out that night. Eve is determined to avoid any romantic entanglements until the war is over she refuses to spend her days and nights worrying about getting bad news about a man she has fallen for. But she doesn't count on meeting a soldier who is determined to change her mind.

Scratch-As-Catch-Can is a 1932 American short comedy film directed by Mark Sandrich. It was nominated for an Academy Award at the 5th Academy Awards for Best Short Subject (Comedy).

A defiant young woman struggles against the norms and morals established by Victorian society and enforced by her autocratic father.

Two yokels try to crash royal society by posing as the King's physicians.

During the start of the Pacific campaign in World War II, Lieutenant Janet Davidson is the head of a group of U.S. military nurses who are trapped behind enemy lines in the Philippines. Davidson tries to keep up the spirits of her staff, which includes Lieutenants Joan O'Doul and Olivia D'Arcy. They all seek to maintain a sense of normal life, including dating, while under constant danger as they tend to wounded soldiers.