Summer of Giacomo

The Hunting Fever

Hunting is less the act of drawing than a real process: a puzzle, strategy, instinct and adrenaline. Fever of the hunt is a condition where one becomes animal, as the animal that one seeks.

The Dreamed Films

Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.

The Adventures of Gigi the Law

Gigi is a rural policeman who works in a place where nothing ever happens… until a young woman commits suicide by throwing herself onto the tracks as a train passes.

Technoboss

The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.

John From

Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with her friend Sara. From Portugal to the South Pacific, the pleasures of this routine will take a turn when the young girl visits the art show of a new neighbor in the local community.

Happy Times Will Come Soon

Tommaso and Arturo are on the run in a remote forest. They hunt for food, trying to survive and find their way through the lush nature. It’s quiet, almost peaceful, until the sound of gunshots… Many years later, this forest has a wolf problem. It’s here where Ariane discovers a strange hole in the ground. Could she be the woman referred to in the valley’s legends?

Madame Favre's

In a nursing home, a young man visits his grandmother. As she constantly repeats that she wants to go home, his grandson visits her now empty apartment, seeking to capture memories of a fading past.

Proprio qui

Il Mio Giardino Primordiale : Conversazione con Alessandro Comodin

Director Alessandro Comodin recounts for Fuori Orario the genesis of his two films, "Summer of Giacomo" and "Happy times will come soon" and reflects on his own conception of cinema: the need for escape and movement, the adolescence of moving bodies and the perception of passing time, the importance of locations and immersion in nature, the technical practice during filming, the approach to the cinematographic medium as a way to see better and to establish a relationship of sensory capture of reality, the relationship with the actors. With references to his favorite filmmakers, from Bresson and Monteiro to Wang Bing, and to the recurring images of his films: the hole and the labyrinth, the loop of time and epilogues, the fairy tale and metamorphosis.