Food Chain Complexity in Afforested Grounds

Six-year-old Bi has been afraid of water since the flood took her younger brother. Her father, Karl Klingert, dedicated himself to working on the world's first diving suit. Bi thinks the suit is the monster that took over her father. With the help of Peter, a young bully from the river, she tries to destroy it before the whole family leaves Wroclaw forever.

Olek returns to Poland after a few years. He must be in quarantine, but his family refuses to let him in. He has nowhere to go, so he sits in the staircase. Władzio wants to walk his dog, which is about to blow up, but he cannot pass. He has to keep two meter distance and Olek doesn’t even have a mask. Arguing with his former neighbor, Olek confronts his lost love, learns to close this relationship and is ready to face the unknown.

Berka is 31 years old and a failure girl. She cannot cope with the breakup and she is constantly under the illusion that her beloved Olga will come back to her. When her dad persuades her to come to her family home for a funeral, Berka has to confront him and a former beloved.

The romantic trip of Wisienka i Robaczek to the forest slowly turns into a nightmare, when a dark truth about the house, where they spend the night together, reveals.

The hero is 17 years old and spends his days suffering and thinking about Monika - his neighbor from the yard and the woman of his life. Unfortunately, Monika has a boyfriend and the hero will have to try very hard before she sees him as more than just a one-night stand.

It's not easy to find the one - especially when you are shy. And if we fall in love at first sight, is it worth to trust Cosmopolitan and seek advice from a seer?

When you are chased by three ruthless bandits, the wound in the stomach does not want to stop bleeding and the bag filled with gold is getting heavy, you will need something more than three rounds to survive.

A documentary series about heroines of the II World War. Stories told from the perspective of the characters are full of emotions and tension, they show courage, sacrifice, willpower but also recklessness or pragmatism. Characters of the series are not flawless monuments but regular women with their own problems, who happened to play an important role in the history. The visual style of the project is animadoc. It comprises archival materials, interviews with experts, and sequences of fictionalised scenes: shots stylised as comic frames, where an actor is connected with scenography hand-drawn by comics illustrators.